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While listening to Ganryu Island, humor is the first thing to strike the ear. The recording is an unexpected joy for those who appreciate extended instrumental techniques. John Zorn blows forth a near-comprehensive sampling of his outrageous sound vocabulary — bird calls, pattering, thwacking, and more — in conjunction with the plucking and strumming of shamisen master Satoh Michihiro. Recorded in 1984, just after Michihiro left the traditional shamisen music community to focus more on using the instrument in improvisational settings, Ganryu Island was originally made available as a limited edition release on the Yukon label. This session of bemused wonderment was out of print until Zorn's label, Tzadik, rereleased it in 1998, with the addition of five outtakes. The great, no-holds-barred improvisation is by no means an inchoate whirl — indeed, the shamisen's rhythmic presence often provides a steady, but flexible structure for the duo's truly imaginative interaction.


Nacido(a): 02 de septiembre de 1953 en New York, NY

Género: Jazz

Años de actividad: '70s, '80s, '90s, '00s, '10s

The one word virtually everyone can agree on in any discussion of the work of composer John Zorn is "prolific," in the strictest sense of the definition. Though he didn't begin making records until 1980, the recordings under his own name number well over 100, and the sheer number of works he has performed on, composed, or produced easily doubles that number. Though now an internationally renowned musician and the founder and owner of the wildly successful and equally prolific Tzadik imprint, Zorn...
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