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Guitarra Negra

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Reseña de álbum

From the legendary vocalist Alfredo Zitarossa comes this album displaying his vocal talents in all their glory, Guitarra Negra. The album starts out with an Argentine chamamita, performed beautifully. It then moves into a candombe, followed by a cancion. A beautiful milonga follows, and a stately cancion. Finally, the album finishes with an extra-long poem, accompanied by a slight milonga pattern. The level of energy in this album is seemingly misleading. The music may lope along for a bit, but remains tight enough to stay chipper. The setting is largely just at the right level for a nice bit of relaxation. For fans of Astor Piazzolla's work, this might also prove to be something of a nice little find, as Zitarossa performed vocals here and there throughout Piazzolla's catalogs. Aside from that, it's a generally nice album in its own right, with the vocals executed tenderly, and the accompaniment light enough to coalesce nicely with them. Zitarossa is a worthy listen for those entering the genre, as well as those already accustomed to the genre.


Género: Raíces

Años de actividad: '90s, '00s

Uruguayan folk icon Alfredo Zitarrosa lived his childhood in the small town of Santiago Vázquez. Influenced by an elementary school teacher, the enthusiastic young man started paying attention to classical and traditional music. Alfredo Zitarrosa's writing skills allowed him to come in first place after participating in a local poetry contest in 1958, making his debut as a singer in the Peruvian Tulio Loza's Show, performing "Guitarrero" and "Milonga Para una Niña." As a songwriter, his first composition,...
Biografía completa
Guitarra Negra, Alfredo Zitarrosa
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