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Group improvisation over the steady beats of Jim Black (Dave Douglas' Tiny Bell Trio, Ellery Eskelin, Satoko Fujii) on drums works to excellent effect with Chris Speed's (Pachora, Dave Douglas, Eric Friedlander) lineup. This is the same lineup with which he produced Yeah No (Songlines), another powerful extemporaneous recording. Speed's instruments of choice on this recording are tenor sax and clarinet. Forging ahead with him into the cosmic reaches is Cuong Vu (Cuong Vu Trio, Dave Douglas, Orange Then Blue) on trumpet. Each piece starts from a melodic base, as in the cool jazz rumination of tenor sax in conversation with itself on "Eddie Cano." It is in this piece that the group does not simply unleash its creative forces. With the following track, "Tulip," it composes a relatively serene island bookended by tracks that are more dynamic. This ebb and flow of programming and display of free jazz prowess by Speed and Vu working in tandem make Deviantics an adventurous, art jazz thriller.


Nacido(a): 1967 en Seattle, WA

Género: Jazz

Años de actividad: '90s, '00s, '10s

A key member of the Brooklyn creative jazz community, clarinetist and tenor saxophonist Chris Speed grew up in the Seattle area. Speed was first introduced to classical music and played the piano and clarinet before becoming interested in improvisation and the tenor saxophone during high school. He moved to Boston to attend the New England Conservatory and was soon part of the collaborative ensemble Human Feel, which in addition to Speed featured drummer Jim Black (also from Seattle), alto saxophonist...
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Deviantics, Chris Speed
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