Iniciando iTunes Store.Si iTunes no se inicia, haz clic en el icono de la aplicación iTunes en el Dock de Mac o en el escritorio de Windows.Progress Indicator
Abriendo el iBooks Store.Si iBooks no se abre, haz clic en la app iBooks del Dock.Progress Indicator

iTunes is the world's easiest way to organize and add to your digital media collection.

No encontramos iTunes en este ordenador. Para usar vista previa y comprar música de Solos & Duets de Jay McShann & Don Thompson, descarga iTunes ya.

¿Ya tienes iTunes? Haz clic en Ya tengo iTunes, para que sea activado.

I Have iTunes Descarga gratis
iTunes para Mac y PC

Abre iTunes para escuchar un fragmento, comprar y descargar música.

Reseña de álbum

Jay McShann, from whose Kansas City orchestra altoist Charlie Parker emerged in 1940, has had a very viable career as a pianist and occasional vocalist in the 65 years since then. McShann's piano style, while emphasizing the blues, has often sounded at its best on swing standards, hinting at stride piano and boogie-woogie but being in its own uncategorizable style. The two-CD set Solos & Duets reissues in full three earlier LPs. A Tribute to Fats Waller, nine songs associated with Waller, and Kansas City Hustle (which has a few basic originals plus "'Round Midnight," "Don't Get Around Much Anymore," and "Rockin' Chair") are from the same two-day period in 1978. The 1980 album Tuxedo Junction, featuring a couple of McShann's bluish originals plus five swing standards, is a duet outing with bassist Don Thompson. In addition, the "three-fer" adds previously unreleased vocal versions of "Baby Won't You Please Come Home" and "Keep Your Hands Off Her" to the very full program. Throughout this definitive reissue, Jay McShann is heard in prime form, displaying his own brand of rollicking musical joy.


Nacido(a): 12 de enero de 1916 en Muskogee, OK

Género: Jazz

Años de actividad: '30s, '40s, '50s, '60s, '70s, '80s, '90s, '00s

The great veteran pianist Jay McShann (also known as Hootie) enjoyed a long career and it is unfair to primarily think of him as merely the leader of an orchestra that featured a young Charlie Parker. He was mostly self-taught as a pianist, worked with Don Byas as early as 1931 and played throughout the Midwest before settling in Kansas City in 1936. McShann formed his own sextet the following year and by 1939 had his own big band. In 1940 at a radio station in Wichita, KS, McShann and an octet out...
Biografía completa
Solos & Duets, Jay McShann
Ver en iTunes

Valoraciones de clientes

No hemos recibido suficientes valoraciones para poder mostrar un promedio de este artículo.

Los más influyentes

Con influencia de este artista