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Take Me to the Land of Jazz

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A unique presence in both traditional and early modern jazz, Charles Ellsworth Pee Wee Russell succeeded in translating the human genome's enormous range of beauty, sincerity, vulnerability and quirkiness into friendly, good-time music, standing his ground amongst masterful improvisers and legendary ensembles without ever sacrificing one crumb of individuality. Living Era's Take Me to the Land of Jazz may be approached as one of the best imaginable Pee Wee Russell collections ever made available on either side of the Atlantic. Spanning the years 1927-1946, it traces his early adventures with Bix Beiderbecke, Frankie Trumbauer, Miff Mole, the Mound City Blue Blowers, and Jack Bland's Rhythmakers. Russell is also heard as a consistently creative member of traditional jazz bands led by Eddie Condon, Wild Bill Davison, and Louis Prima, who sings "The Lady in Red" with uncontrived passion. Practically the entire second half of the collection features groups operating under Russell's leadership, with an awesome collective personnel list made up of his greatest and most accomplished colleagues, including pianist James P. Johnson, drummer Zutty Singleton, trombonist Vic Dickenson, saxophonist Bud Freeman, trumpeter Max Kaminsky, cornetist Muggsy Spanier, and singing trombonist Jack Teagarden.


Nacido(a): 27 de marzo de 1906 en St. Louis, MO

Género: Jazz

Años de actividad: '20s, '30s, '40s, '50s, '60s

Pee Wee Russell, although never a virtuoso, was one of the giants of jazz. A highly expressive and unpredictable clarinetist, Russell was usually grouped in Dixieland-type groups throughout his career, but his advanced and spontaneous solos (which often sounded as if he were thinking aloud) defied classification. A professional by the time he was 15, Pee Wee Russell played in Texas with Peck Kelley's group (meeting Jack Teagarden) and then in 1925 he was in St. Louis jamming with Bix Beiderbecke....
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