Opening the iTunes Store.If iTunes doesn’t open, click the iTunes icon in your Dock or on your Windows desktop.Progress Indicator
Opening the iBooks Store.If iBooks doesn't open, click the iBooks app in your Dock.Progress Indicator

iTunes is the world's easiest way to organize and add to your digital media collection.

We are unable to find iTunes on your computer. To preview and buy music from The King of Limbs by Radiohead, download iTunes now.

Do you already have iTunes? Click I Have iTunes to open it now.

I Have iTunes Free Download
iTunes for Mac + PC

The King of Limbs

Open iTunes to preview, buy and download music.

Editors’ Notes

As the most beloved art-rock band in the world, Radiohead are always looking for ways to warp their sound beyond the breaking point. Here, singer Thom Yorke is still in the mode of his solo album, The Eraser. As he sings in a beautifully stationary position, the group works around him, beginning slightly ahead of him with “Bloom,” a repetitive tone poem whose two piano notes play like a warning siren as the band finds new landscapes to paint. What constitutes the first “side” of this album is agitated and striking, a push and pull of subtle and overt proportions. “Morning Mr. Magpie” works out a measured funk and “Feral” dances around itself. “Side Two” begins the slowdown. “Lotus Flower” still has a few galvanizing moments, but “Codex” is a piano ballad of pure, tranquil bliss. “Give Up the Ghost” is a haunted, funhouse mirror version of the blues. “Separator” is a perfect ending, a piece of swelling pop where Yorke and group work together in peculiar harmony.


Formed: 1989 in Oxford, England

Genre: Alternative

Years Active: '90s, '00s, '10s

Radiohead were one of the few alternative bands of the early '90s to draw heavily from the grandiose arena rock that characterized U2's early albums. But the band internalized that epic sweep, turning it inside out to tell tortured, twisted tales of angst and alienation. Vocalist Thom Yorke's pained lyrics were brought to life by the group's three-guitar attack, which relied on texture — borrowing as much from My Bloody Valentine and Pink Floyd as R.E.M. and Pixies — instead of virtuosity....
Full bio