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Dream Come True

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Album Review

A talented saxman whose influences range from John Coltrane to soul jazz/hard bop players like David "Fathead" Newman and Hank Crawford, Gerald Albright showed just how much potential he has on 1991's superb Live at Birdland West. But sadly, most of his commercial recordings offer little evidence of his considerable improvisatory skills — Dream Come True being among the offenders. Designed primarily for commercial radio airplay, this pop/R&B/jazz CD is, for the most part, as dull as it is contrived. Instead of taking risks, Albright embraces a tired, cliché-ridden Najee-meets-George Howard formula on such forgettable cuts as "Say Yes," "Sweet Dreams" and the title song. Instead of interpreting Johnny Gill's 1990 R&B hit "My My My," Albright offers a pointless, robotic note-for-note cover. The only decent cut here is the uplifting "Growing with Each Other," which boasts a heartfelt vocal by gospel singer BeBe Winans. Albright is too strong a player to be recording albums this weak.


Born: 1957 in Los Angeles, CA

Genre: Jazz

Years Active: '80s, '90s, '00s, '10s

Beginning in the late '80s, saxophone master Gerald Albright recorded numerous successful solo albums for Atlantic when he wasn't busy assisting an impressive, and mammoth, roster of popular R&B artists. Born in South Central Los Angeles, the saxophonist idolized James Brown and took much influence from Maceo Parker and Cannonball Adderley. He first made a name for himself within the music industry during the '80s, when he became a highly requested session musician. His revered reputation resulted...
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Dream Come True, Gerald Albright
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