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All Hits

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Albumrecension

All Saints weren't together that long — only two albums and a handful of singles — but that was enough to rack up a bunch of tabloid headlines, several celebrity romances (Shaznay with Damon Albarn, Nicole with Robbie Williams and Liam Gallagher), one skin-baring movie for the sisters Appleton, and several big U.K. hits (and a few minor U.S. hits). It might not be a lot for a hits collection, but it was enough, as the 13-track collection All Hits proves. This is padded out a bit, with two 1998 remixes (one of "Lady Marmalade," one of "War of Nerves") and the original hit version of the spectacular "Pure Shores" plus its "2 da Beach U Don't Stop Remix," and it bends the rules by featuring "Twentyfourseven," a hit by Artful Dodger featuring Melanie Blatt's vocals, but that's not necessarily a bad thing (particularly in the case of "Twentyfourseven"), since this does consolidate the basic hits — "Pure Shores," "Never Ever," "Under the Bridge," "I Know Where It's At," "Black Coffee," and "Bootie Call" — onto one disc. All Saints did make good albums — both of their records hold their own against the Spice Girls — but inevitably some will just want to hear the hits, and this does an excellent job of serving them up with style. [This edition of All Hits, Rovi

Biografi

Bildades: 1993 i London, England

Genre: Pop

Aktiva år: '90s, '00s, '10s

When they debuted in the early '90s, All Saints were part of the popular British girl group wave kicked off by Spice Girls. While Spice Girls were all about girl power and character image, the All Saints were music aficionados with a softer, more sophisticated brand tied less to their looks and more to their music. The group came together in 1993 when Melanie Blatt and Shaznay Lewis began recording and writing at a studio on All Saints Road in London's Ladbroke Grove. The duo hooked up with R&B...
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All Hits, All Saints
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