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Creation (Original Motion Picture Soundtrack)

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Albumrecension

Screen composer Christopher Young has a reputation for writing film scores that are better than the films in which they appear, particularly when he works in the horror genre. His work on director Jon Amiel's Creation, given the subtitle "The True Story of Charles Darwin," as heard on this soundtrack album, answers the question of what he can do when he is given a more prestigious project to work on. He has also been given a budget and used it to employ an 80-piece orchestra. He uses these resources to create a score that ties into the time period of the film. In particular, he is interested in evoking the styles of Late Romantic and Post-Romantic concert music, especially as purveyed by French composers who were near contemporaries of Darwin (1809-1882), especially Saint-Saëns (1835-1921) and Debussy (1862-1918). Allowed relatively long cues on this album, he develops his ideas in contemplative passages with prominent single-note piano motifs complemented by sweeping string sections. This is music meant to echo the ruminations of the 19th century genius who presented theories still reverberating in the 21st century, even as the music it echoes provided the bridge from the Romantic to the Modern eras.

Biografi

Född: Redbanks, NJ

Genre: Filmmusik

Aktiva år: '80s, '90s, '00s, '10s

Christopher Young composed film scores for over 50 movies beginning in 1980, including Hellraiser (1987), The Five Heartbeats (1991), Murder in the First (1995), and Wonder Boys (2000); as well as scores for TV movies such as Vietnam War Story: The Last Days (1989), Max and Helen (1990), and the project that garnered him an Emmy nomination, 1996's Norma Jean and Marilyn. Born in Redbanks, NJ, Young attended the Manhattan School of Music, North Texas State University, and UCLA before scoring his first...
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Creation (Original Motion Picture Soundtrack), Christopher Young
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