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Nomad Soul

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Albumrecension

Baaba Maal's first album for the upstart Palm Pictures label, Nomad Soul goes through all of the usual motions for a Maal album, which is at the same time wonderful and frustrating: frustrating given the extraordinary musical wealth of Senegal's traditional forms that is overlooked, but wonderful given the remarkable directions that artists such as Maal have taken with their newer, slicker productions. The basic texture of the album is almost a constant, rarely moving away from a relatively soft vocal track backed by a number of guitars and light percussion. This is music made for the Parisian market in large part, and more broadly the worldbeat market. Soft synths and keyboards exist merrily alongside soft guitars and koras. One exception from the formula on this album is the worthy "Yiriyaro (Percussion Storm)," wherein Maal's vocals are backed by a troupe of sabar players (more or less a Senegalese version of a djembe, with a harsh sound from the use of a stick for playing). Fans of Baaba Maal will probably already know and love this album and, more than likely, newcomers to his sound will be just as pleased with this one as with any other.

Biografi

Född: 12 november 1953 i Podor, Senegal

Genre: Världsmusik

Aktiva år: '80s, '90s, '00s

A superstar in his native Senegal, spiritual pop singer Baaba Maal was not even born to be a performer — in West African culture, tradition dictates that the ancient griot caste must produce the singers and storytellers, and Maal was born in the city of Podor in 1953 into the fisherman's caste. Despite his parents' insistence that he become a lawyer, he grew up surrounded by music, absorbing both the traditional sounds of the region as well as American R&B and soul, later discovering jazz...
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Nomad Soul, Baaba Maal
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