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Supersonic - EP


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On the surface, Oasis deserves a negative reaction. That's the typical reaction to a new Manchester quintet that treads too-familiar Happy Mondays/Primal Scream/the Stone Roses turf on the A-side and one of the B-sides ("Columbia"), even if it is on the great Creation label. Not because that Madchester sound died three years ago, but (pre-"Fools Gold") Stone Roses aside, it wasn't that great in the first place (unlike the now "dead" shoegaze scene that succeeded it). But a full two minutes into "Supersonic," this monstrous chorus comes out of nowhere to save the day ("my friend said to take you home..."), and there's another moment of satori when it appears again around the three-minute mark. Holy cow is that great, the sort of dramatic turnaround chord change and pile-driven, upper-octave vocal flourish that the young Guy Chadwick used to deliver now and again. By producing such furious highs at will, Oasis will instantly vault over the pack of also-rans being flaunted in the U.K. press. Besides, though "Take Me Away" is an unimpressive acoustic track, the live B-side "I Will Believe" reveals a more straightforward post punk style with more average but still good hooks suggesting a versatility Oasis could put to good use on an LP. Creation strikes again? Or just ten seconds of intense pleasure, as hollow and meaningless as a crack high?


Bildades: 1993 i Manchester, England

Genre: Rock

Aktiva år: '90s, '00s

Oasis shot from obscurity to stardom in 1994, becoming one of Britain's most popular and critically acclaimed bands of the decade in the process. Along with Blur and Suede, they were responsible for returning British guitar pop to the top of the charts. Led by guitarist/songwriter Noel Gallagher, the Manchester quintet adopted the rough, thuggish image of the Stones and the Who, crossed it with "Beatlesque" melodies and hooks, injected distinctly British lyrical themes and song structures like the...
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