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If Joe Zawinul was out to prove that he didn't need Weather Report anymore, he succeeded spectacularly in this virtual one-man show. Zawinul recorded many of the vocals (assisted now and then by Bobby McFerrin and a vocal trio) and all of the synthesizer and rhythm machine tracks himself in his Pasadena home studio, yet the results are anything but mechanical. Zawinul in fact achieves a rare thing: He manages to get his stacks of electronics to swing like mad in these pan-global grooves that pick up where WR was about to leave off. "Waiting for the Rain" generates a ribbon of tension and anticipation, while "Zeebop" is a noisy rush of pure adrenaline. And "Carnivalito" is a total gas, a percolating, outrageously joyous evocation of a carnival that would put the world's best percussion players out of business if Zawinul's swinging talent could be bottled and sold. This is an important, overlooked album because it proves that electronic instruments can reach your emotions and shake your body when played by someone who has bothered to learn how to master them. ~ Richard S. Ginell, Rovi


Född: 07 juli 1932 i Vienna, Austria

Genre: Jazz

Aktiva år: '60s, '70s, '80s, '90s, '00s

Joe Zawinul belonged in a category unto himself — a European from the heartland of the classical music tradition (Vienna) who learned to swing as freely as any American jazzer, and whose appetite for growth and change remained insatiable. Zawinul's curiosity and openness to all kinds of sounds made him one of the driving forces behind the electronic jazz-rock revolution of the late '60s and '70s — and later, he would be almost alone in exploring fusions between jazz-rock and ethnic music...
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Dialects, Joe Zawinul
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