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The Wicked Truth About Loving a Man

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Album Review

The back story indicates that Wolfgang is apparently some sort of robot from the future sent to, indeed, love a man — or something similar, at least. That said, the fetishism on this album is of a different sort, being the kind of thing that is simultaneously an early-'80s proto-synth pop vocoder-voiced confection and a 1950s sci-fi art-designed effort, said art-designed effort as seen through 1980s eyes, the whole released in the 21st century for yet a newer generation...well, one could go on. (Then there are the song titles — "Binary Code" and "Battery" are just two examples.) For all the overarching sense that this could be part of somebody's pitch for a multimedia project somewhere, The Wicked Truth About Loving a Man is a sweet enough tribute to a time and place, and if it's close to a one-note effort, it's a fun little note. If anything, the vocal treatments most recall Neil Young's own exploration into the world of fragile keyboards and electronically distanced singing on Trans, which is not a bad role model in general. The music's pleasant, rough, and simple, and if it's less stick-in-the-memory than much of what was released in the same vein the first time around, it's no bad thing overall.


Genre: Rock

Years Active: '00s

The Philippines music scene is not a very conducive environment for metal/hard rock music, dominated as it is by solo artists performing sugary love songs and easy listening tunes. Wolfgang, however, has defied the odds to become one of the country's most popular and best-selling acts, its name synonymous with hard-driving riffs and precision group interplay. Wolfgang formed around 1994. Vocalist Basti Artadi (born Sebastian), bassist Mon Legaspi (born Ramon), and drummer Wolf Gemora (born Leslie)...
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The Wicked Truth About Loving a Man, Wolfgang
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