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Carboot Soul

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Editors’ Notes

Nightmares On Wax's early bleep-techno releases helped set the futuristic tone of the UK's Warp label. But with 1999's Carboot Soul, he eased into the cosiest kind of nostalgia. Named in homage to secondhand-record dealers, his third album is a crate-digger's delight, full of head-nodding breakbeats, muted horns, drowsy Rhodes riffs and moody funk basslines. Strings and acoustic guitars carry echoes of British folk music, while Sarah Winton's hazy vocals lend whispered intimacy to the softly lit proceedings.

Biography

Formed: 1988 in Yorkshire, England

Genre: Electronic

Years Active: '80s, '90s, '00s, '10s

Originally the combined project of George Evelyn and Kevin "Boywonder" Harper — the latter of whom was eventually replaced by Robin Taylor-Firth — Nightmares on Wax became one of the brightest spots on the post-rave British techno map of the early '90s. NoW's debut album, A Word of Science, was — along with early tracks by LFO, Tuff Little Unit, and Tricky Disco — a crucial bridge between the competing influences of New York house and electro, Detroit techno and soul, London...
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Carboot Soul, Nightmares On Wax
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