iTunes

Opening the iTunes Store.If iTunes doesn’t open, click the iTunes icon in your Dock or on your Windows desktop.Progress Indicator
Opening the iBooks Store.If iBooks doesn't open, click the iBooks app in your Dock.Progress Indicator
iTunes

iTunes is the world's easiest way to organize and add to your digital media collection.

We are unable to find iTunes on your computer. To preview and buy music from Hootin' the Blues (Remastered) by Lightnin' Hopkins, download iTunes now.

Do you already have iTunes? Click I Have iTunes to open it now.

I Have iTunes Free Download
iTunes for Mac + PC

Hootin' the Blues (Remastered)

Open iTunes to preview, buy and download music.

Album Review

The most important part of Lightnin' Hopkins' career was spent in juke joints in Houston, but during the early 1960s, he also became a star along the folk circuit, playing clubs that catered mostly to college students eager to hear authentic acoustic blues. Several of those shows were recorded over the years to capitalize, and while the albums don't have the same importance as Hopkins' classic blues sides of the 1940s and 1950s, they do show another side of the man, and one he seemed to take to very naturally. Hootin' The Blues is one of Hopkins' better folk club concerts, capturing him in an intense performance on acoustic guitar, rapping (in the sense of talking) about the blues and what it means as he introduces some powerful songs: "Blues Is a Feeling," "In the Evenin'," and "Meet Me in the Bottom," among others. The best moment, though, is his reinvention of Ray Charles' "What'd I Say" as an acoustic guitar number (trust me, it works), which displays the kind of fingering that must've made a young Eric Clapton want to sit down and cry.

Biography

Born: 16 March 1912 in Centerville, TX

Genre: Blues

Years Active: '30s, '40s, '50s, '60s, '70s

Sam Hopkins was a Texas country bluesman of the highest caliber whose career began in the 1920s and stretched all the way into the 1980s. Along the way, Hopkins watched the genre change remarkably, but he never appreciably altered his mournful Lone Star sound, which translated onto both acoustic and electric guitar. Hopkins' nimble dexterity made intricate boogie riffs seem easy,...
Full bio