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Album Review

Putting drum'n'bass back on the map for the first time since Roni Size four years earlier, Kosheen's debut album, Resist, was a surprising commercial success back in 2001. Combining dark brooding basslines, high-octane breakbeats, and Sian Evans' distinctive vocals, it cleverly managed to appeal to both dance aficionados and mainstream radio, notching up sales of nearly half a million in the process. Follow-up Kokopelli, named after a mythical Native American flute player, sees the trio ditching its programming tools in favor of guitars to create a more expansive sound that often leans toward goth rock, with the menacing atmospherics still intact but the rough edges smoothed out. Indeed, the majority of the album follows a formula of crunching guitars, minimal electronica, and doom-laden lyrics that does not show off Evans, one of Britain's most underrated vocalists, to her best advantage. The album is convincing, however, when it abandons its Evanescence-lite attempts at metal. "Coming Home" may be a retread of the epic "Hungry," but its melancholic, acoustic vibe is welcome, while lead single "All in My Head," with its upbeat radio-friendly chorus, shows Kosheen are capable of producing great pop with strong melodies. ~ Jon O'Brien, Rovi


Formed: 1998

Genre: Pop

Years Active: '00s

The drum'n'bass trio tagged Kosheen molds something sophisticated and complex, and their hypnotic breakbeats took their native U.K. by storm at the close of the '90s. Fronted by Welsh-born singer/songwriter Sian Evans and Bristol dance natives Darren Decoder and Markee Substance, Kosheen's meeting arrived in 1998. Evans was invited by Decoder and Substance to lay down some guest vocals and something clicked. A unit had been solidified and Kosheen immediately began work on their hip-hop/soul-driven...
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Kokopelli, Kosheen
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