Opening the iTunes Store.If iTunes doesn’t open, click the iTunes icon in your Dock or on your Windows desktop.Progress Indicator
iTunes

iTunes is the world's easiest way to organise and add to your digital media collection.

We are unable to find iTunes on your computer. To preview and buy music from Fashionably Late by Linda Thompson, download iTunes now.

Do you already have iTunes? Click I Have iTunes to open it now.

I Have iTunes Free Download
iTunes for Mac + PC

Fashionably Late

Linda Thompson

Open iTunes to preview, buy and download music.

Album Review

Linda Thompson's first recording in 17 years is a stunning brace of poetics and grace. For a woman who literally lost her voice for more than a decade due to a stress disorder, Thompson reveals that she is at full strength as a vocalist, and perhaps more importantly, with this recording she clearly establishes herself as a songwriter as well. Recorded in the U.S. and in England, Fashionably Late feels like less of a comeback offering than it does an elegant statement of aesthetic from a talent who, along with Sandy Denny and Jacqui McShee, literally defined these terms for the British folk genre. There are many guests on this ten-song set, including Kate and Joe Rusby; Martin and Eliza Carthy; Van Dyke Parks; Dave Mattacks; Chris Cutler; Dave Pegg; Rufus and Martha Wainwright; Danny Thompson; ex-husband Richard; daughter Kamila Thomspson; and, her prime songwriting collaborator and guitarist, son Teddy Thompson. Produced by Edward Haber, who helped her assemble her retrospective Dreams Fly Away, Fashionably Late is devoid of special effects or studio magic. In stark contrast to One Clear Moment, her first solo effort, this is, primarily, a folk record that harkens back to the recordings that defined her voice without going into the past for material. And it is the voice that defines these songs. Ms. Thompson and/or son Teddy wrote or co-wrote the lion's share of the material here. Songs such as the opener "Dear Mary," offered in a lilting, country-ish vein, illustrate that economy of musical and lyrical language often adds to the emotional power a song is capable of deliver. This track in particular is of interest in that it features a reunion with Richard on guitar and backing vocals, as well as being the first ever track on which the entire family is featured along with bassist Danny Thompson (no relation). The confidence Thompson has, perhaps due in no small part to the appearance of her son at her side, is simply astonishing. In the Scottish murder ballad "Nine Stone Rig," she recounts a tale so chilling and bleak, one would think the murderer had sung it. On "The Banks of the Clyde," which Ms. Thompson wrote for her brother, she recounts with a staggering sense of heartbreak a broken woman's reiterating her life in a letter, and the fervent wish to return home. Lal Waterson's "Evona Darling" is executed with crystalline purpose and majesty, as Linda and Teddy trade verses and Parks accompanies the lone acoustic guitar on accordion. There is humor, too, on "Weary Life," co-written by the Thompsons in which a married woman of some years recounts how being single is the only choice for a woman in the present day. With a sardonic delivery and Eliza Carthy's violin playing a lyrical counterpoint, the irony and wit is both unmistakable and refreshing. One of the album's standout tracks in both quality and originality is "Paint and Powdered Beauty" that Linda Thompson co-wrote with Rufus Wainwright. It's a ballad that, with its lush string arrangement and subtle cast melody, could have been written by Jerome Kern or Sammy Cahn. Martin Carthy's exquisitely chosen chord shapes in counterpoint to the string section are breathtaking. Thompson's ability to carry a song like this, so completely at odds with her forte, is a testament to her virtuosity. Despite the fact that Fashionably Late took literally years to make, it's remarkable sequencing and continuity leave no seams. This is a comeback record to be proud of; it not only sates the appetite of those fans who felt Linda Thompson left the scene too abruptly, but it is also the British folk record that everyone interested in the genre has been waiting such a long time for.

Biography

Born: 1948 in Hackney, London, England

Genre: Singer/Songwriter

Years Active: '70s, '80s, '90s, '00s

Born Linda Pettifer, Linda Thompson, then known as Linda Peters, made an inauspicious debut as half of Paul & Linda in 1968. The duo, which included singer Paul McNeill, recorded two singles, the first being a cover of Bob Dylan's "You Ain't Goin' Nowhere" for MGM in the U.K. In 1972, following a couple of years of session work, singing commercial jingles, and working the folk clubs around London, she teamed with friend Sandy Denny and other assorted members of the British folk-rock scene to...
Full bio
Fashionably Late, Linda Thompson
View In iTunes

Customer Ratings

We have not received enough ratings to display an average for this album.

Followers

Contemporaries