Opening the iTunes Store.If iTunes doesn’t open, click the iTunes icon in your Dock or on your Windows desktop.Progress Indicator
Opening the iBooks Store.If iBooks doesn't open, click the iBooks app in your Dock.Progress Indicator

iTunes is the world's easiest way to organize and add to your digital media collection.

We are unable to find iTunes on your computer. To preview and buy music from The Gate by Kurt Elling, download iTunes now.

Do you already have iTunes? Click I Have iTunes to open it now.

I Have iTunes Free Download
iTunes for Mac + PC

The Gate

Open iTunes to preview, buy and download music.

Album Review

Since the 1990s, Kurt Elling has proved a most innovative jazz singer. His recordings — particularly The Messenger, Man in the Air, and Nightmoves — also reveal him to be a modern jazz visionary. On The Gate, Elling presents nine songs gathered from rock, pop, soul, and jazz. Produced by Don Was, Elling is accompanied by longtime pianist Laurence Hobgood, saxophonist Bob Mintzer, guitarist John McLean, bassist John Pattitucci, alternating drummers Terreon Gulley and Kobie Watkins, and percussionist Lenny Castro. The material here is evocative of Elling's all encompassing view of jazz as an ever-innovative popular music. It opens with a subtle, deeply emotive and poetic reading of King Crimson's "Matte Kudasai." Commencing with only Patitucci's upright bass before Gulley and Hobgood enter from the edges, Elling croons languidly at the upper reaches of his range. McLean's guitar is used economically and delicately until his solo. Joe Jackson's "Steppin' Out" extends beyond the realm of the author's Cole Porter-influenced pop, transforming it into a warm, swinging, cool jazz number. The sparsity of Hobgood's phrasing underscoring Elling's voice shows remarkable restraint; Castro's hand percussion counters Watkins' hi-hat groove and makes it pop. Herbie Hancock's "Come Running to Me" changes shape entirely, from its funky fretless bass and vocoder roots comes a bona fide soul-jazz midtempo ballad. Stevie Wonder's "Golden Lady" backs off the funk; but the exacting interplay between Hobgood and Gulley keeps the soul intact; Elling reinvents it as an acoustic jazz ballad. The Beatles' "Norwegian Wood" subtly restructures the tune's rhythmic accents without forsaking a note of its melody. Earth, Wind & Fire's "After the Love Has Gone" is transformed into a limpid, nearly ethereal tone poem. The reading of Miles Davis' "Blue in Green" is based on Al Jarreau's arrangement, but it opens up more: space and texture grant his voice room to explore the melody's interior. "Samurai Cowboy," an original co-written with Marc Johnson, features Elling's multi-tracked vocals in a chanted chorus, underscoring a syncopated blues, highlighted by Mintzer's gritty fills. "Nighttown, Lady Bright" closes it as poetic, post-beat improvisation with Elling reciting as well as singing. The Gate presents Elling at the top of his game; it is a song cycle that is mesmerizing and mysterious as it is provocative and compelling.


Born: 02 November 1967 in Chicago, IL

Genre: Jazz

Years Active: '90s, '00s, '10s

One of the few male jazz singers from around the baby boom generation, Kurt Elling is an anomaly simply by profession. Given the depth and broad vision of his recordings and performance style, Elling is in a league of his own. Planning a career in the academic world, he discovered jazz and took to it naturally. Deeply influenced by singer and poet Mark Murphy, Elling began to develop his idiosyncratic scat style in the smaller clubs of Chicago (primarily at the Green Mill, sharing the stage with...
Full bio
The Gate, Kurt Elling
View In iTunes

Customer Ratings

We have not received enough ratings to display an average for this album.