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A Passage In Time

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Album Review

It was only a matter of time before some sort of introduction to American audiences came about, especially following the band's successful tour of the States, so Rykodisc did the honors with this excellent compilation — if there's one thing anyone needs to get from the duo, it's unquestionably this. While there's no chronological order to the collection, and the sequencing and arrangement from the original albums are unfortunately if inevitably lost, the choice of songs to feature is completely spot on. The biggest gap is the lack of anything from the self-titled debut and the Garden of the Arcane Delights EP, including the track the collection takes its title from. As such songs would jarringly stand out sonically from the rest, though, it's an understandable omission. Nearly every undisputed highlight from the band is included, covering both Perry's and Gerrard's contributions in equal measure. "The Host of Seraphim" here forms the centerpiece of an album rather than the start, and two new tracks help to round things out — while they aren't among the most deathless numbers the band has created, they're still worth listening to. "Bird" piles on the ambient jungle noises and animal calls and cries, but is saved from neo-New Age bathos by both its arrangement and the central combination of drumming and Gerrard's singing, here a touch lighter than normal. "Spirit," in contrast, predominantly features electric guitar and strong bass pulse, feeling a bit like a number from the very first album heavily stripped down with a new tension and beauty. Perry's singing suits the performance well, another excellent effort.

Biography

Formed: 1981 in Australia

Genre: Alternative

Years Active: '80s, '90s, '00s, '10s

Dead Can Dance combine elements of European folk music — particularly music from the Middle Ages and the Renaissance — with ambient pop and worldbeat flourishes. Their songs are of lost beauty, regret and sorrow, inspiration and...
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A Passage In Time, Dead Can Dance
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