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Album Review

After two disappointing albums, Neil Young turned weird. Employing synthesizers to distort his voice, he made an album that succeeded in sounding not much like a Neil Young album. Actually, songs like "Sample And Hold" and "Like An Inca" were good, but the new techno version of The Buffalo Springfield oldie "Mr. Soul" tested the patience of fans. (This was Young's debut on Geffen Records, which later would sue him for making uncommercial albums like this one.)

Biography

Born: 12 November 1945 in Toronto, Ontario, Canada

Genre: Rock

Years Active: '60s, '70s, '80s, '90s, '00s, '10s

After Neil Young left the California folk-rock band Buffalo Springfield in 1968, he slowly established himself as one of the most influential and idiosyncratic singer/songwriters of his generation. Young's body of work ranks second only to Bob Dylan in terms of depth, and he was able to sustain his critical reputation, as well as record sales, for a longer period of time than Dylan, partially because of his willfully perverse work ethic. From the beginning of his solo career in the late '60s through...
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