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Ain't Misbehavin'

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Reseña de álbum

Like 1996's Gratitude, Ain't Misbehavin' is another satisfying solo piano album. This time the setting is live, at the Holywell Music Room in Oxford, a space that opened to the public in 1748. Many of Williams' best improvisational moments occur during the four standards on the program: "Alone Together," "Too Young to Go Steady," "Don't Blame Me," and the famous Fats Waller title track. There are also two strong originals, "El Salvador" and "Joyful Sorrow"; two tunes associated with the late Rahsaan Roland Kirk, "The Eulipians" and "Black Diamond"; the seldom-played Sonny Rollins gem "Paul's Pal"; and John Coltrane's hymn-like "After the Rain," which serves as the finale. Williams has fun with the audience, and herself, quoting Bud Powell here, "Camptown Races" there, giving each tune exactly the treatment it seems to ask for. She's not an innovator by any stretch, but always very impressive. ~ David R. Adler, Rovi


Nacido(a): 17 de abril de 1942 en Camden, NJ

Género: Jazz

Años de actividad: '60s, '70s, '80s, '90s, '00s

One of jazz's most valuable sidemen, Buster Williams has flourished through many periods of changing fashions in jazz. Best known since the 1980s for his solid, dark tone and highly refined technique on the acoustic bass, the jazz-rock generation knew him as the mobile anchor of Herbie Hancock's exploratory Mwandishi Sextet from 1969 to 1973, doubling on acoustic and electric basses sometimes attached to electronic effects devices. Williams learned both the double bass and the drums from his father,...
Biografía completa
Ain't Misbehavin', Buster Williams
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  • USD 5.94
  • Géneros: Bop, Música, Jazz
  • Publicado: 1999

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