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Interpol - Single

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Reseña de álbum

This impressive three-song single is Interpol's first release for Matador, following a self-released single and another for Scotland's Chemikal Underground. At some point early on, someone decided to start comparing this New York trio to Joy Division, which makes sense given the mannered, precise fashion in which the group builds tension and (sometimes) releases it, and for the fact that the vocals occasionally approach the depths of Ian Curtis' thick baritone. These comparisons began snowballing and eventually turned to accusations of cloning. This is a horribly nearsighted way of viewing the band; a Joy Division comparison is only one of many that can be drawn, and they are all tenuous at best. A couple examples: the tightly wound nervousness of the vocals truthfully has more in common with the Violent Femmes' Gordon Gano without sounding like a bratty, scrawny Patti Smith fan; the solemn "NYC" surprisingly resembles mid-'80s U2 to an extent, removing all the pomp and throwing itself into a thicket of reverb anchored by a dubwise bassline. To those looking beneath the surface, Interpol becomes a band of its own. Each of the songs here emit various shades of gray, built on durable arrangements, a veteran band's sense of economy and dynamics, and a streak of gloom that never quite reaches overbearing doom.

Biografía

Se formó en: 1998 en New York, NY

Género: Alternativa

Años de actividad: '90s, '00s, '10s

Interpol, la banda de pos-punk de Nueva York inspirada en Joy Division alcanzó plena actividad en 1998. Matador contrató al grupo en 2002, editó un simple de tres canciones y el debut de larga duración de la banda, Turn on the Bright Lights. El álbum convirtió a la banda en estrellas de indie rock, y sobrevinieron exhaustivas giras por todo el mundo. Justo antes de editar su segundo álbum Antics, en septiembre de 2004, fueron grupo de apertura de The Cure como...
Biografía completa