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More Live-Lee (Live At the Jazz Bakery)

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On More Live-Lee, saxophonist Lee Konitz is joined for an intriguingly spare set with pianist Alan Broadbent. This atypical setting allows for subtle interplay and the type of quiet nuances impossible in larger settings. The duo allow "Body and Soul" to drift at a lazy pace as Konitz's horn weaves slow, lovely lines and Broadbent adds tasteful, though minimal, flourishes. There are a couple other nice stabs at classic material, including an eight-minute take on "I Can't Get Started" and a seven-minute version of "How Deep Is the Ocean?" These two players even manage to inject a bit of pizzazz into a warhorse like "You Go to My Head." Several of these pieces, however, have been written by Konitz and have a decidedly more contemporary feel. On "Thingin'," Broadbent keeps a steady bassline as he plays a nifty solo comprised of individual notes and block chords, while "Nothin'" gives Konitz a chance to explore varying shades as his solo climbs and descends without accompaniment. The duo also offer lively interchanges on "Lennie's," "Bending Broadly," and the closer, "Just Friends." Simply presented and executed, More Live-Lee delivers a full, satisfying set by two fine performers playing at the top of their game. ~ Ronnie D. Lankford Jr., Rovi


Nacido(a): 23 de abril de 1947 en Auckland, New Zealand

Género: Jazz

Años de actividad: '50s, '60s, '70s, '80s, '90s, '00s

An unsung hero of the acoustic piano, Alan Broadbent is a highly lyrical and melodic bebopper/post-bopper who has cited Bill Evans, Wynton Kelly, Tommy Flanagan, Nat "King" Cole, and Red Garland as some of his favorite pianists. Raised in New Zealand, he moved to Boston in 1966 to study at the prestigious Berklee College of Music. After staying on the road with Woody Herman (for whom he was a writer, arranger, and soloist) from 1969-1972, he settled in Los Angeles. Broadbent went on to work as a...
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More Live-Lee (Live At the Jazz Bakery), Alan Broadbent
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