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The Red Bedroom

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Reseña de álbum

Full of brazen piano buildups and full-vibrato confessionals, The Red Bedroom is like a great lost breakup album of David Bowie and Elton John, where the two tortured souls channel frustrations into the third person. As a concept album, then, it works. Ten tracks celebrate backroom lovin' in the hot Milwaukee sun with a patina of mid-'70s dust and grease on every sound surface. Between the sensational bombast of "Humankind" and the exposed ballad foppery of "Baby Takes It Slow" is the sense that Mallman could've been a lost Bowie protégé — using all the stops of Mott the Hoople with less overt blues and more soft rock schmaltz. Featuring members of the Promise Ring, the Replacements, 12 Rods, and Fog, the album allows Mallman to keep his concept artist's abstractions while creating an un-ironically enjoyable art pop treasure in the meantime.

Biografía

Género: Rock

Años de actividad: '90s, '00s

Minneapolis by way of Milwaukee singer/songwriter Mark Mallman got his start with trashy glam rockers the Odd in the late '90s (prior to that, Mallman had been in a few bands with future Promise Ring leader Davey VonBohlen). But the group was almost over as soon as it began, and Mallman launched a solo career straight away. In 1998 came the release of Mallman's solo debut, The Tourist, while the VonBohlen side project Vermont recorded a Mallman original composition ("We Only Have Each Other in the...
Biografía completa
The Red Bedroom, Mark Mallman
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