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100 Miles from Memphis

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iTunes Review

Sheryl Crow is an industry heavyweight best known for her ability to deliver the radio-ready pop-rocker that sounds as natural as breathing. She is also a musical eclectic who loves both the music’s past and its present. This is hardly a tribute to Dusty Springfield’s Dusty in Memphis, but it resonates with blue-eyed soul. More importantly, it brings together musicians as noteworthy as Keith Richards for the reggae number “Eye to Eye” and then follows that with a cover of Terence Trent D’Arby’s “Sign Your Name” with an assist from Justin Timberlake. Producers Doyle Bramhall II and Justin Stanley add an extra Southern sizzle as Crow assembles everyone into a community circle for “Say What You Want” and the sweet naturalistic grounding of “Long Road Home” where you can hear the ‘70s coming into full stereo. Crow is so confident and diverse throughout that it’s a joy to hear her engaging a full band for the title track and then stripping things to an acoustic hush for the bonus version of “Long Road Home” where the harmonies recall a gospel choir doing its solemn work.

Customer Reviews

Gotta Love Doyle Bramhall II

Doyle is all over this and Sheryl Crow gets 10 bonus points for having him around. Great job by all. Her best album since '96 in my opinion.

I Want My Money Back-For DETOURS Too

I'm so mad right now. And sad. I guess this is what you get from someone who really doesn't HAVE to work any more. She was just awesome on Globe Sessions and Sheryl Crow, when I became a fan.

My advice: Go back to the old formula that made you a rich and respected rocker and got you a bunch of fans. Please get your edge back, and wear really tight clothes again. You can do it. Your last two albums are just crap.

100 Miles From Memphis

What a depressing group of songs, put me to sleep.


Born: February 11, 1962 in Kennett, MO

Genre: Pop

Years Active: '90s, '00s, '10s

Sheryl Crow's fresh, updated spin on classic roots rock made her one of the most popular mainstream rockers of the '90s. Her albums were loose and eclectic on the surface, yet were generally tied together by polished, professional songcraft. Crow's sunny, good-time rockers and world-weary ballads were radio staples for much of the '90s, and she was a perennial favorite at Grammy time. Although her songwriting style was firmly anchored to the rock tradition, she wasn't a slave to it -- her free-associative,...
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