17 Songs

EDITORS’ NOTES

1982-1992 charts the first 10 years of Europe’s career, during which time a ragtag group of Swedish rock fans turned themselves into one of the world’s most popular metal bands. The crown jewel of the set is, of course, “The Final Countdown,” which can’t help but tower over the rest of the band’s work. At the same time, it’s too bad that “Rock the Night,” “Open Your Heart,” and “Superstitious” aren’t better known, as they're easily three of the most definitive pop metal songs of the late '80s. An acoustic version of “I’ll Cry for You” is the best of the handful of rarities interspersed throughout the collection, but the most interesting segment is definitely the first six songs, which are drawn from Europe’s first two albums, both independently released. While most people assumed that the band’s career started with “The Final Countdown,” these early tracks show that they were first a lithe and ferocious young rock band, much more in line with the British heavy metal of Iron Maiden than the pop metal that would later come to define them.

EDITORS’ NOTES

1982-1992 charts the first 10 years of Europe’s career, during which time a ragtag group of Swedish rock fans turned themselves into one of the world’s most popular metal bands. The crown jewel of the set is, of course, “The Final Countdown,” which can’t help but tower over the rest of the band’s work. At the same time, it’s too bad that “Rock the Night,” “Open Your Heart,” and “Superstitious” aren’t better known, as they're easily three of the most definitive pop metal songs of the late '80s. An acoustic version of “I’ll Cry for You” is the best of the handful of rarities interspersed throughout the collection, but the most interesting segment is definitely the first six songs, which are drawn from Europe’s first two albums, both independently released. While most people assumed that the band’s career started with “The Final Countdown,” these early tracks show that they were first a lithe and ferocious young rock band, much more in line with the British heavy metal of Iron Maiden than the pop metal that would later come to define them.

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5:15
4:22
4:01
4:03
4:19
5:09
3:43
4:04
4:29
4:12
4:33
4:03
4:29
3:58
4:57
5:26

About Europe

Originally a progressive rock group, Europe didn't achieve success until they reworked their sound into bombastic yet melodic pop-metal. In their first incarnation, the Swedish band was called Force. The band -- featuring core members Joey Tempest (vocals), John Norum (guitar), Tony Reno (drums), and John Leven (bass) -- won a national talent contest in the early '80s, which led to a record contract. After changing their name to Europe and releasing two albums in Sweden (Europe and Wings of Tomorrow), the band landed an international deal with Epic Records. By this time, Reno had left the group and been replaced by Ian Haugland. Keyboardist Mic Michaeli had also joined the lineup.

In 1986, Europe released The Final Countdown. On the album, Michaeli's keyboards take a prominent role (they provide the main riff in the hit title track), which nicely complemented the band's smoother pop melodies. The change in style proved successful, as the record became a Top Ten hit in the U.S. and U.K.; both "The Final Countdown" and "Carrie" became Top Ten singles as well. Norum left the band by the end of the year and was replaced by Kee Marcello. Released in 1988, Out of This World continued the formula of the previous record. It was also a success, although its numbers didn't match those of The Final Countdown. Three years later, Europe released their fifth studio album, Prisoners in Paradise, which featured the hit title track as well as the midtempo ballad "I'll Cry for You," before calling it quits the following year. The band, including Norum, reunited for a New Year's Eve performance in Stockholm in 1999, resulting in the announcement of an official reunion three years later. The band subsequently recorded and released their sixth album, Start from the Dark (2004), then followed it with Secret Society (2006) and Last Look at Eden (2009), the latter of which debuted at number one on the Swedish album chart. Bag of Bones (2012) had a blues-rock feel, while War of Kings (2015) was a heavy, doomy, faintly psychedelic affair strongly inspired by their childhood heroes Black Sabbath, Deep Purple, and Led Zeppelin. ~ Stephen Thomas Erlewine

  • ORIGIN
    Stockholm, Sweden
  • GENRE
    Rock
  • FORMED
    1981

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