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20th Century Masters - The Millenium Collection: The Best of Mel Tormé

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Album Review

The 20th Century Masters series serves many purposes for all the varying artists with MCA affiliations, and with Mel Tormé, the spryest of jazz vocalists, the case is no different. With few hits to essay, compiler Ryan Null and producer Mike Ragogna instead chose to spotlight Tormé's range of abilities — vocal acrobat and scatter, standards interpreter, songwriter, and pure musical innovator. Thanks to the consistent quality of Tormé's work, they were able to accomplish this despite focusing on several neglected corners of his MCA catalog, like 1954's Musical Sounds Are the Best Songs (Coral), 1960's Swingin' On the Moon (Verve), and 1961's My Kind of Music (Verve also). "Too Close for Comfort" and "Blue Moon" are twin paragons of a vocal artist excelling in an uptempo setting and in balladry (respectively), while the opener, "It Don't Mean a Thing (If It Ain't Got That Swing)," sees Tormé teaching a master class in what it means to be a singing horn. His original material includes both the standard "The Christmas Song" and the pleasant throwaway "Swingin' On the Moon," and for innovation look no further than the eight-minute "Blues in the Night" with his prime collaborator, Marty Paich. Other budget Mel Tormé compilations may have slightly better material, but none explain Tormé's brilliance in such concise fashion as this.

Customer Reviews

This Album Rules :)

Wow! This album rules! My favorite is It Don't Mean a Thing (If It Ain't Got That Swing) and I encourage you to get it!

wow.

the song "it don't mean a thing if it ain't got that swing" is incredible. when it plays, i can't control myself from dancing. the beat, and ups and downs to this song is amazing. if you like a good beat, or just dancing, you won't be disappointed with this song.

Biography

Born: September 13, 1925 in Chicago, IL

Genre: Jazz

Years Active: '30s, '40s, '50s, '60s, '70s, '80s, '90s

Mel Tormé was a jazz-oriented pop singer who worked at his craft steadily from the '40s to the '90s, primarily in nightclubs and concert halls. In his 1988 autobiography, It Wasn't All Velvet (its title a reference to his nickname, "The Velvet Fog," bestowed upon him by a disc jockey in the '40s to describe his husky, wide-ranging voice), he mentioned a wish that he had been born ten years earlier, that is, in 1915 rather than 1925. If he had had his wish, Tormé would have been an exact contemporary...
Full Bio

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20th Century Masters - The Millenium Collection: The Best of Mel Tormé, Mel Tormé
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