A Different Kind of Fix by Bombay Bicycle Club on Apple Music

13 Songs

EDITORS’ NOTES

On its third album, Bombay Bicycle Club fashions a sound expansive enough to encompass introspective folk, ambient pop, and even a hint of ‘80s new wave. Under the production guidance of Ben H. Allen (Animal Collective, Deerhunter), the North London foursome retains the whimsical charm of its earlier work while increasing the rhythmic drive and textural variety. BBC’s eclecticism finds unity in Jack Steadman’s softly insistent vocals, a natural outlet for the band’s impressionistic lyrics. If Fix’s song themes tend to be elusive, the tracks here are often insidiously catchy. Tunes like “Shuffle” (built around a stuttering piano and spring-loaded beat), “Your Eyes” (as lean and propulsive as vintage post-punk), and “What You Want” (boasting an insistent drum hook) are effortlessly ear-grabbing. Veering into more atmospheric regions are pastel-toned numbers like “Fracture” and “Favorite Day” (the latter tinged with a genteel psychedelia). Chorale vocals and a simmering groove lend “How Can You Swallow So Much Sleep” a hypnotic power.

EDITORS’ NOTES

On its third album, Bombay Bicycle Club fashions a sound expansive enough to encompass introspective folk, ambient pop, and even a hint of ‘80s new wave. Under the production guidance of Ben H. Allen (Animal Collective, Deerhunter), the North London foursome retains the whimsical charm of its earlier work while increasing the rhythmic drive and textural variety. BBC’s eclecticism finds unity in Jack Steadman’s softly insistent vocals, a natural outlet for the band’s impressionistic lyrics. If Fix’s song themes tend to be elusive, the tracks here are often insidiously catchy. Tunes like “Shuffle” (built around a stuttering piano and spring-loaded beat), “Your Eyes” (as lean and propulsive as vintage post-punk), and “What You Want” (boasting an insistent drum hook) are effortlessly ear-grabbing. Veering into more atmospheric regions are pastel-toned numbers like “Fracture” and “Favorite Day” (the latter tinged with a genteel psychedelia). Chorale vocals and a simmering groove lend “How Can You Swallow So Much Sleep” a hypnotic power.

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About Bombay Bicycle Club

A melodic, guitar-driven indie rock outfit from North London, Bombay Bicycle Club comprise frontman Jack Steadman, guitarist Jamie MacColl, drummer Suren de Saram, and bassist Ed Nash. Steadman, MacColl, and Saram -- who at the time were all students at University College School (attending at the same time as members of Cajun Dance Party), and not one of them over the age of 15 -- formed the group in Crouch End in 2005, initially calling themselves the Canals. They adopted different names over the course of the next year until Nash was brought on board in 2006, at which point the fledgling group dubbed itself Bombay Bicycle Club, in reference to an Indian restaurant chain. Bombay Bicycle Club entered Virgin Mobile's "Road to V" battle-of-the-bands contest soon after, a move that would effectively launch them out of obscurity and into the spotlight as one of that year's most hyped indie acts in Britain.

Blending together sensual, reverb-slicked, post-punk sensibilities with the kind of bubbly, rhythmically adventurous quirkiness that evoked acts like Orange Juice, Bloc Party, and Vampire Weekend, Bombay Bicycle Club ended up winning the competition -- which, in previous years, had been won by the likes of Young Knives -- and were given a spot opening up V Festival that August. A flurry of offers from several big labels came in, but Bombay Bicycle Club opted to self-release their first disc on their homegrown label, Mmm.... Produced by Jim Abiss (who'd previously worked with the Arctic Monkeys), Bombay Bicycle Club's debut EP, The Boy I Used to Be, was released in February 2007; the disc was given a warm critical reception, notably from the folks at NME. Another EP, How We Are, was released that October, debuting at the number two spot on the U.K. indie singles chart.

The members of Bombay Bicycle Club graduated upper secondary school the following June, and the rest of their summer was dominated by the release of a new single, "Evening/Morning" (released on the Young and Lost Club label), and a flurry of U.K. tour dates. Teaming up once again with Abiss, they recorded their debut full-length at Konk Studios that fall. Bombay Bicycle Club signed with Island Records as the year came to a close; their debut full-length on the label, I Had the Blues But I Shook Them Loose, was released the following summer. In July of 2010, Bombay Bicycle Club released their sophomore effort, Flaws, which found the bandmates unplugging their instruments and recording acoustic songs, including a cover of Joanna Newsom's "Swansea." In 2011, Bombay Bicycle Club returned to a fully electric sound with the release of the Abiss-produced A Different Kind of Fix. The plugged-in pop/rock approach was evident on the atmospheric dance-oriented leadoff single, "Shuffle." Bombay Bicycle Club returned in 2014 with the hypnotic So Long, See You Tomorrow, featuring songs influenced by Steadman's trip through Europe and India. ~ Margaret Reges

  • ORIGIN
    London, England
  • FORMED
    2005

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