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A Mark, a Mission, a Brand, a Scar

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Album Review

By the time their third studio album, the cumbersomely titled A Mark, A Mission, A Brand, A Scar, was released in the summer of 2003, Dashboard Confessional had long been poised as the band that would bring emo crashing into the mainstream. Never mind that Weezer already did that, before this kind of music even had a name — during the late '90s, while Weezer was away, emo became an underground phenomenon ignored by the press and built by word of mouth by sensitive teenagers eager for music that spelled out their feeling explicitly. Other emo bands were purer or rawer, but Dashboard Confessional had one thing in their favor: the band was essentially a showcase for its singer/songwriter, Chris Carrabba. Blessed with modelesque good looks, Carrabba is a heartthrob for the misunderstood, partially because of those beautiful features, but also partly because he is a more sensitive singer/songwriter than James Taylor, appealing to the anxious adolescent still learning how to navigate the sometimes treacherous waters of love. Nearly all emo is defiantly adolescent in its word and approach — it disregards such niceties as melody, hooks, subtlety, and craft, favoring raw unfettered expression of emotion instead — but where other emo bands get caught in the Sturm und Drang by bittersweetly concentrating on matters of the heart, Dashboard Confessional have a wider appeal, not least because the band is not so damn noisy as its emo brethren. Prior to this album, Carrabba was like all other emo songwriters in that he didn't so much write songs as put diary entries to music, adjusting the instrumental backdrop to fit the mood of his words, but never bothering to add in enough hooks to snare in somebody who wasn't already a fan or on a similar emotional wavelength. Here, he hires Gil Norton — best known for his production of the Pixies' Doolittle — as producer, and Norton draws hooks out of Carrabba's songs and gives color to his sound. This means A Mark is the most musical emo album and easily the most accessible, consistent record in Dashboard's canon, a record that doesn't push its emotion to the front, preferring to draw the listener in gradually. This is a notable improvement, at least in terms of general listenability, but it doesn't remove the fact that Carrabba's writing, like much of emo, is interminably adolescent. He's now writing more memorable songs, largely because he's learning how to construct hooks and melodies, but the incessant need to artlessly spill the contents of his heart limits his appeal. Unlike other masters of mercurial teenage moods — whether it's Pete Townshend, Morrissey, or Rivers Cuomo, whose work continues to resonate as it and the listeners grow older — Carrabba's work is so specifically stuck in adolescence that, even if it's presented in a prettier package as it is on A Mark, it's still very difficult for anybody past sophomore year in college to really connect with his music. [The album was also released with a limited-edition DVD.]

Customer Reviews

My All-Time Favorite!

This is my all-time favorite album, and there is no song on here that I don't like. The heartfelt lyrics, beautiful guitar, and Carraba's voice pull together for a great combination. Here's a review for a few notable songs. HANDS DOWN - One of my favorites on the album. If you don't want to buy the entire album, and just sample it, buy this song. Beautiful lyrics, as always. AS LOVERS GO - Very romantic, maybe a little corny, but I love it. Very happy. GHOST OF A GOOD THING - Best slow song I own. I love his voice in this song. AM I MISSING - My least favorite. Not sure why, there's just nothing special about it. IF YOU CAN'T LEAVE IT BE, MIGHT AS WELL MAKE IT BLEED - A little harder than his usual, but in a good way. Makes you want to sing along. SEVERAL WAYS TO DIE TRYING - Very peaceful and relaxing. Beautiful.

Cheap. buy it.

this is cheap enough that you can buy it and decide for yourself. I do not agree that it is whiney, repetitive or that chris is a sissy, but one or two songs lack a lot of rythm. if you've never heard dashboard i'd buy So Impossible EP instead of this to see dashboard at its best. Good songs: hands down, rapid hope loss, ghost of a good thing, morning calls, so beautiful, hey girl. Bad songs: none are bad, but its an acquired taste. If you don't like whining i suppose you'll think this is whining, even though i personally like his more emotional songs. Like bands: The Early November and many others.

A phenomenal, memorable recording...

Since the the early 00's, Chris Carabba (the man behind Dashboard Confessional) has established himself as the poster child for emotionaly troubled, romantically challenged teens everywhere. His trademark whine/scream/sing and acoustic balladry helped create an entirely new movement in modern rock music. On "A Mark, A Mission, A Brand, A Scar" Carabba and company propel their music forward by adding an electric accompaniment. While the acoustic guitars are not scrapped, as shown on songs like "Carry this Picture" and "So Beautiful", Dashboard shows they are ready to experiment with their formulas, re-recording the fan favorite "Hands Down" with the electric backing. The result is nothing short of an incredbile, emotional musical creation that has something to offer to anyone. Lyrically, Carabba scales back the themes of heartbreak and depression, even throwing in some upbeat, happy tunes, such as "Hands Down" and the Strokes-esque "Hey Girl". All in all, Chris Carabba takes a series of risks in producing this album, and they all pay off, resulting in nothing less than a potential classic.


Formed: 1999 in Boca Raton, FL

Genre: Alternative

Years Active: '90s, '00s, '10s

Singer/songwriter Christopher Carrabba became the poster boy for a new generation of emo fans in the early 2000s, having left behind his former band (the post-hardcore Christian outfit Further Seems Forever) to concentrate on vulnerable, introspective solo musings. Armed with an acoustic guitar and soul-baring song lyrics, he christened his new project Dashboard Confessional -- named after a lyric in "The Sharp Hint of New Tears" -- and began releasing material in 2000. By 2001's The Place You Have...
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