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A Moon Shaped Pool

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iTunes Review

Radiohead’s ninth album is a haunting collection of shapeshifting rock, dystopian lullabies, and vast spectral beauty. Though you’ll hear echoes of their previous work—the remote churn of “Daydreaming,” the feverish ascent and spidery guitar of “Ful Stop,” Jonny Greenwood’s terrifying string flourishes—A Moon Shaped Pool is both familiar and wonderfully elusive, much like its unforgettable closer. A live favorite since the mid-‘90s, “True Love Waits” has been re-imagined in the studio as a weightless, piano-driven meditation that grows more exquisite as it gently floats away.

Customer Reviews

"Broken hearts make it rain" - Identikit

Beautiful and compelling album. Stands proudly with the band's best -"OK Computer," and "In Rainbows" being my favorites. Every song here would make every album that came before it better.
Seek out and add Radiohead's recently rejected Bond movie opener "Spectre" to the mix. It's a brilliant tune, and the band's boldest use of orchestration to date.

Anyone notice the songs are alphabetized?

You’re welcome.


Finally Radiohead is back! I have to be honest my expectations for this album were pretty low after being pretty disappointed with KOL and HTTT. (In Rainbows was better and decent but still not up to par with their earlier records). This album however, blew me away and is honestly the best thing they have put out since Kid A. Like Kid A this is a perfect blend of electronic, organic instruments, and experimentation/effects. Headphones are an absolute must to get the most out of it. Absolutely amazing! Welcome back! I will certainly be enjoying this album for years to come.


Formed: 1989 in Oxford, England

Genre: Alternative

Years Active: '90s, '00s, '10s

At some point in the early 21st century, Radiohead became something more than a band: they became a touchstone for everything that is fearless and adventurous in rock, inheriting the throne from David Bowie, Pink Floyd, and the Talking Heads. The latter group gave the band its name -- it's an album track on 1986's True Stories -- but Radiohead never sounded much like the Heads, nor did they take much from Bowie apart from their willingness to experiment. Instead, they spliced Floyd's spaciness with...
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