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Slick Dogs and Ponies (Bonus Track Version)

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Editors’ Notes

Sounding very much like a British band mashing up glam, punk and ‘60s icons such as the Stones and T-Rex, San Diego bad boys Louis XIV jump-started their career in 2004 by wooing fans across the pond (touring and selling their own self-released Louis XIV), where they created a buzz that leaked back to the states resulting in a deal with Atlantic Records. This follow-up to their raunchy and raucous 2005 major label debut finds the band detouring a bit from the path they started on, adding copious amounts of violins, cello, piano and even a smidge of flute. They’ve employed composer David Cambell, aka Beck’s dad, and the result is bigger arrangements and deeper dimensions, resulting in a sound that’s less garage and more classic (try not thinking of David Bowie when you hear “Air Traffic Control”). While they’ve traded in the “girls, girls, girls” meme for one that is more political in nature, the boys still wanna have fun. “Guilt by Association” shows vocalist Jason Hill frolicking in dramatic histrionics, fueled by snappy drumming, jittery guitars, and slashing strings and synths thumping along on an adrenaline dance beat. Sometimes growing up pays off!

Biography

Formed: San Diego, CA

Genre: Alternative

Years Active: '00s

The core unit of San Diego's Louis XIV had originally played together in the rootsy, alt-rocking Convoy, which issued an album called Black Licorice in 2001. Having moved on by 2003, vocalist/guitarists Jason Hill and Brian Karscig and drummer Mark Maigaard hooked up with bassist Jimmy Armbrust and began fleshing out the Louis XIV concept -- irreverent, oversexed lyrics and songwriting that channeled glam, scratchy punk, and vintage Rolling Stones. A self-recorded EP caused quite a stir locally,...
Full Bio
Slick Dogs and Ponies (Bonus Track Version), Louis XIV
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  • $11.99
  • Genres: Alternative, Music, Punk, Indie Rock
  • Released: Jan 29, 2008

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