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Agony of Death

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Album Review

The 1990s and the 21st century have seen plenty of women singing loud, heavy, forceful, in-your-face rock, but they tend to be concentrated in certain areas of rock. The harder side of alternative rock has been very female-friendly (Lunachicks, Courtney Love, 7 Year Bitch, Babes in Toyland, Soraia, L7, Bikini Kill, among countless others), and goth metal is famous for its abundance of female vocalists. But thrash metal, like death metal, black metal, and metalcore, has remained very male-dominated. Sabina Classen, Holy Moses' lead singer since the early '80s, is a rare example of a female thrash vocalist. Classen's gruff, abrasive, guttural vocals have long thrived on harshness, and that harshness is right at home on Agony of Death. This 2008 release favors a take-no-prisoners approach to thrash; there is some melodic and harmonic nuance at times, but for the most part, Holy Moses thrive on head-kicking metal/punk brutality delivered at breakneck speed. While Agony of Death isn't full-fledged death metal, Classen's vocals do have a certain amount of death metal appeal and remind listeners that death metal and black metal would not have come about were it not for thrash metal/speed metal (which was the first time metal became seriously influenced by punk). The heaviness-for-the-sake-of-heaviness approach has its limitations, but instead of being apologetic about those limitations, Holy Moses passionately celebrate them — and while Agony of Death isn't in a class with Slayer's best work, it is definitely focused, inspired, and exciting. Agony of Death is hardly groundbreaking by 2008 standards, but when it comes to delivering an effective dose of mosh pit-friendly exhilaration, Classen and her colleagues definitely get the job done.

Customer Reviews

How has no one reviewed this?!?!

These guys are amazing! I'm still in shock that a girl can sing like that!

Sabina Classen is a Metal Goddess

This album is really great and so underrated! I say this is one of the best thrash metal bands hailing from Germany.

So technical and well balanced! :)

I love this album along with "The New Machine of Liechtenstein" more than all their other work! Great line up here, I hope they stay! Sabina's vocals sound much more evolved in this album :)! The guitar work with the drums are amazing by the technicality and the backing vocals are uncomparable! I never heard backing vocals in any ablum like I have in this one! The topics in this album are simply a bonus to me:) The title says "Agony of Death" but to me it's all in the mind, which i love! Songs like "Pseudohalluzination", "Imagination", and "Schizophrenia", songs that pertain the mind! I love it! The other songs are great as well though those are my faves here! Overall the technicality has returned greatly, it kinda feels classic though evolved! like a HD remix or something relative...


Formed: 1980 in Aachen, Germany

Genre: Rock

Years Active: '90s, '00s

Primarily a vehicle for Sabina Classen -- one of the rare female vocalist to challenge the boys' club that was '80s thrash metal -- Holy Moses burst into the international metal arena in 1986 with their Queen of Siam debut -- but, although the group has rarely gone away since (breaking up for a few years in the mid-'90s), it has never ascended above cult status. Holy Moses were originally founded in 1980, in Aachen, Germany, by singer Jochen Fünders and bassist Ramon Brüssler, and it wasn't until...
Full Bio
Agony of Death, Holy Moses
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  • $9.90
  • Genres: Rock, Music, Metal
  • Released: Sep 26, 2008

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