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A Collection of Songs Written and Recorded 1995-1997

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Album Review

In 1995, at the age of 15, Conor Oberst left the Omaha, NE, group Commander Venus and began working on the material for his solo project, Bright Eyes. A Collection of Songs gathers the results: 20 compositions recorded during the singer's mid- to late teens. Even at a young age, it's clear that Oberst is an extremely talented songwriter, seemingly incapable of penning a bad tune (except in the odd case when you sense he didn't try). Despite his obvious gifts, however, there are plenty of sour moments throughout A Collection, but they are almost always the result of the singer's delivery, rather than an inherent fault of the song. Oberst walks a fine line and occasionally his tendency toward unrelenting honesty chases him over the edge. His tone turns bitter and you sense that he can't stand to bare his soul without couching the sentiments in a combination of anger, sarcasm, and parody. On songs like "Patient Hope in New Snow," "Saturday as Usual," and "The Awful Sweetness of Escaping Sweat," the songs disintegrate as his vocals are reduced to the unintelligible babbling of a child. Any balance the music maintained up to that point, however fragile, is lost and so, more than likely, is the listener. Exercising more restraint, Oberst reveals a unique songwriting voice. On "Exaltation on a Cool Kitchen Floor," the results are truly touching as he whispers, "I can't help noticing that she is sitting closer to me than she ever has before" — lines that manage to capture the deep emotional ache called love. On "How Many Lights Do You See?," he expands the simple subject matter, exploring it with a near-cinematic perspective. Elsewhere (on the collection's best material), he is found teetering on the edge. Barely able to contain the welling emotions, a quiver rises in his voice. In such cases, you'd be hard-pressed to deny the truth of the sentiments Oberst is delivering.

Customer Reviews

A Misunderstood Masterpiece

This album captures the sense of raw youthful angst that was the foundation of Bright Eyes, and while it doesn't have the polished studio sound of his later work, it represents everything that Conor's music is; dark, powerful, and lyrically stunning. Songs like "Emily, Sing Something Sweet" and "The Awful Sweetness of Escaping Sweat" more than rival the slick and overplayed "First Day of My Life." It's not an album you can judge in retrospect because his sound has changed so dramatically, but this album is essential to understanding and respecting his later and more easily accessible sound.

Boy Genious?

I'm tired of people saying Conor Oberst whines a lot. There's a lot to whine about. At least someone's doing their job. This is a good record, but I'd recommend Lifted or Fevers and Mirrors if this is your first record. Oberst was very talented as a teen and I'm going to be honest and tell you that I couldn't have written songs this well in my earlier years.

Amazing album from a very young genius

I was reluctant to buy this album, since it was done when Conor Oberst was very young, and I thought it must be barely tolerable. But I want to own everything he's done, so I bought it, and to my amazement, it's now one of my favorites. Polished it's not, and immature it is, but I'd rather listen to immature true talent than polished mediocrity. There are a surprising number of songs here that are as haunting as his later work. I highly recommend this album if you like Bright Eyes.


Formed: 1995 in Omaha, NE

Genre: Alternative

Years Active: '90s, '00s, '10s

Although many musicians have joined the band's rotating lineup, Bright Eyes is primarily the songwriting vehicle of Conor Oberst, a quivery-voiced Nebraska native who first attracted attention in 1994 -- when he was only 14 years old -- as the singer and guitarist for Commander Venus. Oberst proved to be a prolific musician, joining multiple bands (including Commander Venus, the Magentas, Park Ave., and Desaparecidos) while also co-founding Saddle Creek, an influential label that helped broadcast...
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