12 Songs, 42 Minutes

EDITORS’ NOTES

For solo album number two, Nikki Lane teams with producer Dan Auerbach of The Black Keys for a down-and-dirty, country-fried version of rock ’n’ roll, deep in reverb and vintage sounds. “I Don’t Care” bounces with distorted guitars, pedal steel, and a girl group–style vocal that sounds like The Raveonettes gone country. The McCrary Sisters make their vocal presence felt on the pedal steel–heavy “You Can’t Talk to Me Like That.” Surf guitars, more pedal steel, and a sped-up rhythm section guide “Seein’ Double,” where Lane again refuses to be scooted along. Arguably, the album’s highlight is “Love’s on Fire,” an acoustic duet between Lane and Auerbach; you can sense the full band waiting in the shadows of the song’s first minute for their opportunity to turn the tune into a full-blown workout. The title track takes a shot at blue-eyed soul with a Fender Rhodes electric piano driving the tune. It's retro-modern, country rock 'n’ western roll.

Mastered for iTunes

EDITORS’ NOTES

For solo album number two, Nikki Lane teams with producer Dan Auerbach of The Black Keys for a down-and-dirty, country-fried version of rock ’n’ roll, deep in reverb and vintage sounds. “I Don’t Care” bounces with distorted guitars, pedal steel, and a girl group–style vocal that sounds like The Raveonettes gone country. The McCrary Sisters make their vocal presence felt on the pedal steel–heavy “You Can’t Talk to Me Like That.” Surf guitars, more pedal steel, and a sped-up rhythm section guide “Seein’ Double,” where Lane again refuses to be scooted along. Arguably, the album’s highlight is “Love’s on Fire,” an acoustic duet between Lane and Auerbach; you can sense the full band waiting in the shadows of the song’s first minute for their opportunity to turn the tune into a full-blown workout. The title track takes a shot at blue-eyed soul with a Fender Rhodes electric piano driving the tune. It's retro-modern, country rock 'n’ western roll.

Mastered for iTunes
TITLE TIME

Ratings and Reviews

4.4 out of 5

47 Ratings

47 Ratings

Latest album

Nikki Lane's #1 fan

Nikki's work just keeps getting better and better. This is great stuff.

I get it

Jimbo8686

I spotted her in my latest issue of Rolling Stone and she sounded very interesting from the interview. I noticed Dan Auerbach was the producer and was even more intrigued. This is not the crap that's on country radio as she put it. After listening to "Right Time" and "Wild One" I get what she was saying. Great job.

Nice

Fullmetal Song

I've previewed all the songs and they're all amazing! I hope I can buy this album soon!

About Nikki Lane

Nikki Lane reinvents the nostalgic sounds of 1960s country music for a modern audience, mixing Southern twang with lush orchestral arrangements and the occasional pop/rock hook. A high-school dropout from Greenville, South Carolina, she spent her early adulthood working as an L.A.-based fashion designer. Lane later moved to New York City, where a messy breakup inspired her to pick up the acoustic guitar and write a handful of sad, sassy country songs inspired by Loretta Lynn and Merle Haggard. What began as a form of self-therapy eventually developed into a full-time obsession, and Lane wound up leaving town again, this time returning to the American South by settling in Nashville.

Having relocated to the country music capital of the world, Lane began building a local audience by putting her own spin on the genre. The Gone, Gone, Gone EP, whose orchestral sound earned comparisons to mid-century icons (Tammy Wynette, Nancy Sinatra) and retro-revivalists (She & Him, the Secret Sisters), appeared in July 2011, followed several months later by the full-length Walk of Shame. After extensive touring in 2012, she signed to New West in 2013. Her debut for the label, All or Nothin', was issued in May of 2014. Three years later, Lane released Highway Queen -- which she co-produced with singer/songwriter Jonathan Tyler -- on New West. ~ Andrew Leahey

HOMETOWN
Greenville, SC
GENRE
Country
BORN
October 17, 1983

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