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All the Way Home

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Album Review

Americana is basically dead and buried in the country that lent the alt-country genre its name, with the handful of hangers-on more or less recycling the rustic minimalism already perfected by Will Oldham and contributing little to the movement's forward motion. Up in Canada it's a different story — Vancouver's Radiogram not only recalls Americana's halcyon days, but for All the Way Home draws on disparate influences spanning from chamber pop to slowcore to post-punk (a cover of New Order's dramatic "Love Vigilantes," no less) to update the formula for a different era. With its pedal steel, strings, and trumpet solos, the record sometimes suggests a grittier Mojave 3, and frontman Ken Beattie's duets with vocalist Shelly Campbell evoke the Walkabouts' Chris Eckman and Carla Torgerson, but Radiogram offers more than the sum of its influences — Beattie is a phenomenal songwriter, and his spacious, atmospheric arrangements sometimes recall the production work of Daniel Lanois. Lofty comparisons to be certain, but All the Way Home deserves the kudos.

All the Way Home, radiogram
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