Alma Adentro - The Puerto Rican Songbook by Miguel Zenón on Apple Music

10 Songs

EDITORS’ NOTES

On Alma Adentro, the Puerto Rican alto saxophonist and composer Miguel Zeñon once again displays his distinctive take on Latin jazz. Zeñon previously released two albums that wed Puerto Rican music and jazz, 2005’s Jibaro and 2009’s Esta Plena, both of which drew on traditional folkways. By contrast, Alma Adentro reinterprets work from the Puerto Rican popular songbook. The album’s core quartet — Zeñon, pianist Luis Perdomo, bassist Hans Glawischnig, and drummer Henry Cole — is joined by a 10-piece wind ensemble. The opener, Bobby Capó’s “Juguete,” was a hit in Cheo Felciano’s ballad version, but here the song is transformed into a swinging instrumental, and Zeñon’s sax work is super fine. Rafael Hernández’s “Silencio” features an excellent arrangement by Guillermo Klein. “Olas y Arenas,” by Sylvia Rexach, might be the best track. The complex, high-energy arrangement clearly bears Klein’s touch, and Perdomo and Zeñon unleash inspired solos. “Tite” Curet Alonso’s “Tiemblas” serves as the closer; it’s a lush, elegant piece that suggests the tensions of romance.

EDITORS’ NOTES

On Alma Adentro, the Puerto Rican alto saxophonist and composer Miguel Zeñon once again displays his distinctive take on Latin jazz. Zeñon previously released two albums that wed Puerto Rican music and jazz, 2005’s Jibaro and 2009’s Esta Plena, both of which drew on traditional folkways. By contrast, Alma Adentro reinterprets work from the Puerto Rican popular songbook. The album’s core quartet — Zeñon, pianist Luis Perdomo, bassist Hans Glawischnig, and drummer Henry Cole — is joined by a 10-piece wind ensemble. The opener, Bobby Capó’s “Juguete,” was a hit in Cheo Felciano’s ballad version, but here the song is transformed into a swinging instrumental, and Zeñon’s sax work is super fine. Rafael Hernández’s “Silencio” features an excellent arrangement by Guillermo Klein. “Olas y Arenas,” by Sylvia Rexach, might be the best track. The complex, high-energy arrangement clearly bears Klein’s touch, and Perdomo and Zeñon unleash inspired solos. “Tite” Curet Alonso’s “Tiemblas” serves as the closer; it’s a lush, elegant piece that suggests the tensions of romance.

TITLE TIME
6:46
6:58
9:34
6:11
7:27
6:55
7:00
5:59
6:48
7:24

About Miguel Zenón

Saxophonist and composer Miguel Zenón is one of a select group of jazz musicians who have successfully navigated the often contradictory poles of innovation and tradition. A multi-Grammy nominee, he has developed a unique voice as a composer and conceptualist, concentrating his efforts on perfecting a fine mix between Latin American folk music and jazz. In addition to his numerous dates as a bandleader, Zenón has worked as a sideman with Charlie Haden, David Sánchez, Ray Barretto, the Mingus Big Band, Michele Rosewoman, Luis Perdomo, Bobby Hutcherson, Fred Hersch, Kenny Werner, Steve Coleman, and Hans Glawischnig, and has lectured and taught master classes all over the globe.

A native of San Juan, Puerto Rico, Zenón dug Coltrane in high school but didn't get serious about a career in jazz until attending the Berklee School of Music. While at Berklee, he hooked up with drummer Bob Moses, who invited him to play with the Either/Orchestra, giving the saxophonist his first professional experience. Awards and grants lead to Zenón pursuing and earning a master's degree in saxophone performance in 2001 from the Manhattan School of Music in New York City.

Looking Forward, Zenón's debut album as a leader, appeared in 2002. it fused jazz, Latin, and classical influences, and earned positive reviews at home and abroad. In 2003, he and his Rhythm Collective quartet were selected by the Kennedy Center's Jazz Ambassadors program to teach and perform in West Africa. That same year, he recorded his sophomore effort, Ceremonial, which was produced by Branford Marsalis and released on the Marsalis Music label in early 2004. Also in 2004, he recorded as a founding member of the SFJAZZ Collective. In 2005, he and Brian Lynch co-headlined a date entitled 24/7, and later in the year released the groundbreaking Jibaro, a jazz tribute to "la música jíbara" -- a string-based folkloric music popular in the Puerto Rican countryside -- that ended up on many critics' year-end lists.

Throughout 2006 and 2007, Zenón kept busy. He recorded with the SFJAZZ Collective and was part of their world tour, and he played on pianist Edsel Gomez's debut offering, Cubist Music. The saxophonist had a momentous 2008. His Awake album was issued by Marsalis Music to widespread critical acclaim, and he received a MacArthur Foundation Award (aka the "genius grant") and a fellowship from the John Simon Guggenheim Foundation. His Esta Plena album appeared in 2009.

In 2011, Zenón delivered the Grammy-nominated Alma Adentro: The Puerto Rican Songbook, which showcased the music of Puerto Rican composers Bobby Capó, Tite Curet Alonso, Pedro Flores, Rafael Hernández, and Sylvia Rexach. Also that year, he founded Caravana Cultural, a program that organizes free-of-charge jazz concerts in rural areas of Puerto Rico. Rayuela, his debut for the Sunnyside label, was released the following year.

In 2013, Zenón issued the first offering from his own Miel Music label: Oye! Live in Puerto Rico, which documented his reunion with the Rhythm Collective band. A year later, he earned another Grammy nomination, this time for Best Latin Jazz Album, for Identities Are Changeable. In 2017, the saxophonist released Tipico, a quartet album with his longtime working ensemble featuring pianist Luis Perdomo, bassist Hans Glawischnig, and drummer Henry Cole. ~ David Jeffries & Thom Jurek

  • ORIGIN
    San Juan, Puerto Rico
  • BORN
    Dec 30, 1976

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