11 Songs

EDITORS’ NOTES

It may have been made in the wake of an international breakthrough (namely, the ripple effect of “Too Young” lighting up 2003’s Lost In Translation) but Phoenix’s follow-up largely trades sprightly garage rock for something softer, subtler, and smoother. It’s a bold attempt to recreate the ‘80s pop that first entranced these Versailles schoolfriends (see the snapping yacht-ready groove of “Run, Run, Run”). A concise, deceptively complex gamble that pays off handsomely.

EDITORS’ NOTES

It may have been made in the wake of an international breakthrough (namely, the ripple effect of “Too Young” lighting up 2003’s Lost In Translation) but Phoenix’s follow-up largely trades sprightly garage rock for something softer, subtler, and smoother. It’s a bold attempt to recreate the ‘80s pop that first entranced these Versailles schoolfriends (see the snapping yacht-ready groove of “Run, Run, Run”). A concise, deceptively complex gamble that pays off handsomely.

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Customer Reviews

5 out of 5

23 Ratings

Yoooo

Ryan_g_10,

Legend and epic all in one

Love this Album!

Meltz17,

Love this Album!

About Phoenix

Mixing pop, disco, and rock into a stylish blend, Phoenix grew out of the garage band vocalist Thomas Mars, bassist Deck d'Arcy, and guitarist Christian Mazzalai played in while growing up in the suburbs of Paris. Mazzalai's older brother Branco joined the band on guitar when his band Darlin' disbanded in 1995.

The group got its start playing on the French bar circuit, doing Hank Williams and Prince covers to drunken audiences. Two years later, the band took on the name Phoenix and pressed 500 copies of a single on its own label, Ghettoblaster. The A-side was a punk rock song and the other a chugging Krautrocker, hinting at their eclectic tastes. Shortly afterward, they were signed to the Paris-based Source Records. Phoenix became well acquainted with labelmates Air when they performed as their backing band on several U.K. TV appearances. The result of the electronic exposure was a single called "Heatwave," which was very similar in approach to '70s disco.

United, the group's debut album, appeared in 2000 on Astralwerks and was recorded over two months. The album featured guest appearances from friends and family, including Thomas Bangalter (Daft Punk), Philippe Zdar (Cassius), and d'Arcy's mother's choral society on the track "Funky Squaredance." From that point, they issued Alphabetical (2004), It's Never Been Like That (2006), and their mainstream breakthrough, the critically acclaimed Wolfgang Amadeus Phoenix (2009). Part of the extended break between the third and fourth albums was due to Mars becoming a father (with his partner, director Sofia Coppola). Soon after finishing the Wolfgang Amadeus Phoenix tour, the band reconvened in Adam Yauch's studio Oscilloscope Laboratories in late 2010 and embarked on some experimental recording sessions. They continued in Paris the following year and completed recording in 2012 with the help of co-producer Phillipe Zdar, then mixed the songs on the console used to mix Michael Jackson's Thriller. The results, Bankrupt!, appeared in April 2013. The band began work on its sixth album in 2014, taking a break to appear in A Very Murray Christmas, a Netflix holiday special directed by Coppola. Largely recorded in an old opera house refurbished into a museum, concert hall, and tech incubator, 2017's Ti Amo channeled the joyousness of Italian discos and summertime into a defiant response to the political and social struggles of the late 2010s.

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