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Album Review

Cal Tjader's Brazilian explorations continue and actually deepen with this release, as he joins forces with a host of progressive young Brazilian musicians, all overseen by producer Airto Moreira. By now, Tjader had figured out how to fit into the blend, doing so by losing himself in the complex mix of Afro-Brazilian rhythms, American funk and 1970s-era electronics, integrating his own identity for the sake of the ensemble. Indeed, Tjader actually appears on marimba on tracks like Joao Donato's "Amazonas" and his collaboration with Hermeto Pascoal, "Mindoro," his playing taking on a more brittle edge as a result. Tjader's Southern Hemisphere cohorts include such emerging luminaries as keyboardist Egberto Gismonti, percussionist Robertinho Silva, the sometimes wild flutist Hermeto Pascoal and on one track, the superb trombonist Raul de Souza. The intricate arrangements are in the hands of George Duke, and so are the funky, occasionally spaced-out keyboard sounds (albeit under the contractually dictated pseudonym "Dawilli Gonga"). CD buyers get a welcome bonus, an extended, impassioned outtake of "Cahuenga." ~ Richard S. Ginell, Rovi


Born: July 16, 1925 in St. Louis, MO

Genre: Jazz

Years Active: '40s, '50s, '60s, '70s, '80s

Cal Tjader was undoubtedly the most famous non-Latino leader of Latin jazz bands, an extraordinary distinction. From the 1950s until his death, he was practically the point man between the worlds of Latin jazz and mainstream bop; his light, rhythmic, joyous vibraphone manner could comfortably embrace both styles. His numerous recordings for Fantasy and Verve and long-standing presence in the San Francisco Bay Area eventually had a profound influence upon Carlos Santana, and thus Latin rock. He also...
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Amazonas, Cal Tjader
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