9 Songs, 48 Minutes

EDITORS’ NOTES

The title of Spiritualized’s eighth album is the back half of a line from Kurt Vonnegut’s Slaughterhouse-Five: “Everything was beautiful, and nothing hurt.” In a tweet, Pierce explained that starting with And “presupposes that something, or everything, has happened before.” After almost four decades making music—often in response to personal crises including heartbreak, addiction, disease, and near-death experiences—everything has happened to Pierce before. And Nothing Hurt was born from a different kind of upheaval.

In the flush ’90s, labels could let a band like Spiritualized splurge on ample studio time, 120 live musicians for a single track, and entire choirs. No longer afforded those luxuries, Pierce learned to use Pro Tools, painstakingly sampling sounds from classical recordings, and managed, with just a handful of backing musicians, to create an album every bit as gargantuan and emotional as ever. Pierce deftly moves between intimacy and maximalism, combining shoegaze, free jazz, somber ballads, lavish orchestration, and synths in ways that shouldn’t work, but do. “Let’s Dance” begins wistful and dainty, gradually building into a wild, brassy carnival. Likewise, the joyful “On the Sunshine” morphs from warm flutes into a cacophony of squealing horns and ecstatic jazz. And Nothing Hurts is a profoundly self-aware album acknowledging age, loss, and mortality. On “The Prize,” Pierce sings, “Gonna be shooting like a star across the sky/Gonna burn brightly for a while/Then you’re gone.”

EDITORS’ NOTES

The title of Spiritualized’s eighth album is the back half of a line from Kurt Vonnegut’s Slaughterhouse-Five: “Everything was beautiful, and nothing hurt.” In a tweet, Pierce explained that starting with And “presupposes that something, or everything, has happened before.” After almost four decades making music—often in response to personal crises including heartbreak, addiction, disease, and near-death experiences—everything has happened to Pierce before. And Nothing Hurt was born from a different kind of upheaval.

In the flush ’90s, labels could let a band like Spiritualized splurge on ample studio time, 120 live musicians for a single track, and entire choirs. No longer afforded those luxuries, Pierce learned to use Pro Tools, painstakingly sampling sounds from classical recordings, and managed, with just a handful of backing musicians, to create an album every bit as gargantuan and emotional as ever. Pierce deftly moves between intimacy and maximalism, combining shoegaze, free jazz, somber ballads, lavish orchestration, and synths in ways that shouldn’t work, but do. “Let’s Dance” begins wistful and dainty, gradually building into a wild, brassy carnival. Likewise, the joyful “On the Sunshine” morphs from warm flutes into a cacophony of squealing horns and ecstatic jazz. And Nothing Hurts is a profoundly self-aware album acknowledging age, loss, and mortality. On “The Prize,” Pierce sings, “Gonna be shooting like a star across the sky/Gonna burn brightly for a while/Then you’re gone.”

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Ratings and Reviews

4.6 out of 5
28 Ratings
28 Ratings
DropAcid ,

Amazing Album

Takes me back to early Spiritualized. Great job J Spaceman.

tperich ,

Triumph

Six years is too long but it’s worth the wait. Jason pierce takes everything that is amazing about spiritualized and puts it on one album. Covers his entire sounds with a world weariness and wisdom that befits him. He made an amazing, authentic, relevant rock record.

DrKGee ,

OK... This is so good!

A thoroughly enjoyable auditory engagement with a distinguished band!
A multi-rock of great music. Enjoy as I am!

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