The defining feature of Via Audio’s second release is its delightful variety. Meshing sweet harmonies and folk sensibilities with synthesized grooves, they craft stylish synth pop (“Hello,” “Tigers”), low-key funk (“Goldrush,” “Babies”), atmospheric folk (“Happening”), and acoustic country rock (“Oh Blah Wee”). Produced by Jim Eno of Spoon, the album makes no attempt at cohesion and yet comes out stronger and more interesting as a result. Featuring clever arrangements, subtle hooks, and a wide range of textures and sonic touches Animalore covers much ground while remaining playful, alluring, and easy on the ears. Jessica Martins’ understated, breathy voice is particularly engaging and serves as a foil to Tom Deis’ deadpan vocals, further underscoring the deliberate inconsistencies of the album. Likewise, the lyrics also reflect this split; some songs are literal while others are shrouded in metaphor and mystery. Listeners who embraced their 2007 debut, Say Something, should be pleasantly surprised at Via Audio’s experimental approach this time around.