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Antennas To Hell (Deluxe)

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Album Review

One part savage metal and one part macabre sideshow nightmare (but in a good way), Slipknot have made a career out of their larger-than-life, kitchen-sink approach to, well, everything. Offering an overview of the Iowa band's wild ride, best-of compilation Antennas to Hell provides listeners with the opportunity to dive headfirst into the weird, dark world Slipknot have created for themselves. Spanning four studio albums, as well as a track from the Resident Evil soundtrack and a pair of live cuts from their Disasterpieces album, the compilation covers a lot of ground, giving an all-inclusive look at the 13 years since the band came storming out of the Midwest with its double-platinum, self-titled debut in 1999. As a bonus, the compilation also includes a second disc featuring Slipknot's live performance from the 2009 Download Festival, which was originally released as a part of the video album (sic)nesses. Being able to hear the band both in the studio and on the stage makes Antennas to Hell a great jumping-off point for new fans looking to get the full sonic experience in one package, but the lack of real rarities might make longtime fans pause before diving in. [A clean version of the disc was also released.]

Customer Reviews

rocks

rocks hard

Best of the best

This is one of my favorite albums ever! I realize Slipknot isn't for everyone, but for those of us who love this genre, hands down, it's second to none.

:(

This is practically a best hits album. So, what's the point?

Biography

Formed: September, 1995 in Des Moines, IA

Genre: Metal

Years Active: '90s, '00s, '10s

Slipknot's mix of grinding, post-Korn alternative metal, Marilyn Manson-esque neo-shock rock, and rap-metal helped make them one of the most popular bands in the so-called nu-metal explosion of the late '90s. But even more helpful was their theatrical, attention-grabbing image: the band always performed in identical industrial jump suits and homemade Halloween masks, and added to its mysterious anonymity by adopting the numbers zero through eight as stage aliases. Add to that a lyrical preoccupation...
Full Bio