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Rules For Jokers

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Album Review

Singer/songwriter Thea Gilmore is an ambitious lass on her third album, Rules for Jokers. She boldly moves beyond the rock edges of The Lipstick Conspiracies for a confident, folk-rock appeal and it works magnificently. Acoustic guitars are ablaze throughout, giving Rules for Jokers a tough stance without much aggression. Lyrically, Gilmore is a complete artist. Her depictions of deception, sex, religion, and politics are richly textured in balladry. The daring and lustful "This Girl Is Taking Bets" dances around rockabilly/country jigs while "St. Luke's Summer" creeps along with Gilmore's hollowed vocals. "Benzedrine" is Rules for Jokers' shiny pop song; cellos and chimes accent crashing percussion for a dazzling look into self-perception. For a woman who's barely out of her teens, Gilmore sings with a weathered conviction, and it's mind-blowing. Rules for Jokers reflects upon trials and tribulations one may face, but without vengeance and bitterness. Gilmore sharply shapes it into something tangible without relying on massive production to heighten the album's overall punch.


Born: 1979 in Banbury, Oxfordshire, England

Genre: Singer/Songwriter

Years Active: '90s, '00s, '10s

Singer/songwriter Thea Gilmore was born to Irish parents in 1979. While coming of age in North Aston, Oxfordshire in England, she ignored the new wave reign of the '80s and instead began to seek out her parents' Bob Dylan and Joni Mitchell albums. Later, she found comfort in the work of Elvis Costello, Tom Waits, and the Replacements, naturally absorbing the intelligence behind each artist's work. Gilmore began writing poetry and short stories to amuse herself amidst her conventional surroundings,...
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Rules For Jokers, Thea Gilmore
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