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Waterloo Terminal

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Album Review

The second release in Caipirinha's Architettura series, Waterloo Terminal was inspired by Nicholas Grimshaw's steel and glass structure, which lay on the U.K. end of the massive underwater Chunnel. More than merely providing the aesthetic impetus for the music, Grimshaw's Terminal provided the raw material; Tetsu scanned schematics of the building into his computer and used a software program to "convert" the picture files into sounds, with which he then composed. Tetsu's second album of mostly computer-generated music, Terminal is also more approachable than the previous Psycho-Acoustic, revealing a fascinating depth of detail the further into the recording the listener is willing to go. It's still many orders of abstraction beyond even the least rooted of his popular Fax releases, but the points of continuity are many, and Terminal more than proves Tetsu's caliber in a medium (computer music) he's only just begun to explore.


Born: Tokyo, Japan

Genre: Electronic

Years Active: '90s, '00s, '10s

A native of Tokyo, Japan, Tetsu Inoue is an ambient composer whose solo and collaborative works with the likes of Pete Namlook, Jonah Sharp, and Atom Heart are important documents of new school ambient and experimental electronic. Inoue began playing music in high school, starting with a guitar in pop/rock cover bands. He began experimenting with synthesizers and early monophonic sequencers, inspired by the fusion of pop, psychedelic rock, and experimental electronic pioneered by groups like Pink...
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Waterloo Terminal, Tetsu Inoue
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