12 Songs, 1 Hour, 10 Minutes

EDITORS’ NOTES

Jazz pianist Robert Glasper and his fusion ensemble make an independent move on ArtScience. After guesting with Snoop Dogg and Brandy and covering Nirvana, Glasper and company wrote, performed, and produced all the tunes here. The opening “This Is Not Fear” blasts out blitzing post-bop improv before settling into a funk groove, showing the band’s mastery of multiple jazz styles. Saxophonist/vocalist Casey Benjamin shines throughout, whether in laid-back R&B environments (“Thinkin Bout You”) or on disco-influenced tracks like “Day to Day.”

EDITORS’ NOTES

Jazz pianist Robert Glasper and his fusion ensemble make an independent move on ArtScience. After guesting with Snoop Dogg and Brandy and covering Nirvana, Glasper and company wrote, performed, and produced all the tunes here. The opening “This Is Not Fear” blasts out blitzing post-bop improv before settling into a funk groove, showing the band’s mastery of multiple jazz styles. Saxophonist/vocalist Casey Benjamin shines throughout, whether in laid-back R&B environments (“Thinkin Bout You”) or on disco-influenced tracks like “Day to Day.”

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Customer Reviews

4 out of 5

103 Ratings

This is our fault………..

A True Glasper Aficionado,

As a true fan for well over a decade or more it's very obvious that Glasper has descended deep into a self induced decline. This album however is our fault (the fans). We should have offered more transparent criticism of Black Radio 1; when he started to go left. I have no problem with a good experiment, however when a concoctions does not work, you throw it out. Black Radio 2 was the warning shot across the bow but a few jams manipulated us into pacification.

If you look at the last two albums he has more than two dozen guests that have a major industry presence and their own unique style. Melding that all together at once has created…..well this….a mess. Dont believe me? Listen to his discography prior to BR1. RGE needs to stop placating to the masses in an attempt to win over their approval . This means, LESS singing and MORE Jamming. Scratch that….this means STOP singing and START jamming (again).

Excited

topherlaws,

RGE is one of my all time favorite bands. There are plenty of jazz artists that remain faithful to straight ahead jazz, which is a GREAT thing. However, I think the fact that newer jazz artists are exploring and experimenting with the sound is something that should be applauded. Those who are strictly straight ahead will most likely remain that way. And those that want to expand and grow, in terms of how they present their sound, have every right to do so. I'm excited to hear this new work from RGE!

About Robert Glasper Experiment

A quartet centered around jazz pianist Robert Glasper, the Robert Glasper Experiment originally featured bassist Derrick Hodge, drummer Chris Dave (from the pianist's acoustic trio), and Casey Benjamin on saxes and vocoder. They made their debut on one half of Glasper's two-disc Double Booked for Blue Note in 2009. While the first half featured Glasper's acoustic trio, the Experiment contrasted on the other, incorporating elements of neo-soul, hip-hop, and jazz-funk into their sound. The Experiment have also been open to working with vocalists. On their second CD -- and first stand-alone effort -- Black Radio, they worked with everyone from vocalists Bilal, Ledisi, Erykah Badu, and Lalah Hathaway to rappers Mos Def, Lupe Fiasco, and Shafiq Husayn, to name a few. Black Radio was issued in February of 2012, also on Blue Note. In 2013, the Robert Glasper Experiment (now including Hodge and Benjamin with drummer Mark Colenburg) returned with their equally star-studded sophomore album, Black Radio 2. The band toured constantly and globally over the next two years.

Glasper returned to his original acoustic piano trio format to cut 2015's Covered, recorded live at Capitol Studios, and guested on Kendrick Lamar's celebrated To Pimp a Butterfly. He also wrote original music for and curated the soundtrack for Don Cheadle's 2016 Miles Davis biopic, Miles Ahead. The Robert Glasper Experiment returned to the studio in early 2016 with a different m.o. Instead of working on the pianist's music or covers, the quartet members wrote and arranged together in the studio for the first time. The resulting ArtScience was issued in September after the pre-release singles "Day to Day" and "Thinkin' About You." ~ Matt Collar & Thom Jurek

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