"Asha" by AO Music on iTunes

12 Songs

Mastered for iTunes
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Customer Reviews

5 out of 5

5 Ratings

Review from Journeyscapes Radio


AO Music is a world fusion group founded by Richard Gannaway and Jay Oliver, which also includes South African-born singer and solo artist, Miriam Stockley (who co-produced this album with Richard). Perhaps best known as the voice of composer Karl Jenkins’ Adiemus project (whose debut single of the same name released in the mid-1990’s went on to become an international new age/classical-crossover hit), Miriam likewise imbues AO Music with her signature, layered phonetic vocalese that deftly emulates indigenous tribal chants. Titled Asha, after a Hindi word meaning “hope”, the group’s fifth album is “a salute to the world’s youth” intended to convey a global message of unity, peace and love. Richard plays banjo and Irish bouzouki, as well as handles the synths, samples and sound design throughout, even providing his own voice on numerous tracks. Comprised of twelve compositions spanning fifty-four minutes, Asha additionally features guest singers and musicians from various parts of the globe, making for a truly pan-cultural listening experience that masterfully integrates acoustic, ambient and world music styles.

The sun rises on the lively and rhythmic, “Jabulani”, immediately unveiling a colorful world of exhilarating beauty and warmth, as the yodeling voices of Yushu children weave around Miriam Stockely singing in the South African Zulu language. “Love Knows the Way” ensues with Richard and Miriam singing both English lyrics and phonetic vocalese, as Kimba Arem lends Australian didgeridoo throughout. Integrating many ethno-tribal elements, this hazily melodic composition evokes images of driving through the outback, or on a safari, all while taking in the beauty of surrounding nature and wildlife. Following next is the mesmerizing, “The Wildest Dream”, a folksier tune that features Ashwin Srinivasan on Indian flute, as well as Vladiswar Nadishana on jaw harp and Hang-hand pans. Miriam gently sings a simple, soothing melody in English with a couple of lines in Gaelic, as glinting synth sounds mimic twinkling stars over gathering performers around a desert campfire. One of my favorite pieces on the album is “Quixote”, which features Mark Holland on Native American flute in addition to Richard, Miriam and David Leflar on vocals. Impressively showcasing an eclectic integration of complementary elements, I’m somewhat reminded of certain works by Peter Gabriel, a comparison further noted by the song's crooning, earthy vocal style. Following up this outstanding offering is the equally enthralling, “Gael Medley”, which as its name suggests, emphasizes a notably Celtic flair. Here, banjo, flute and Irish bouzouki accompany Miriam’s phonetically beautiful vocalese, collectively painting rural scenery of horses running free in an open field. Picking up the pace a notch towards the latter part, the piece transitions into the spirited rhythm of a traditional Irish step dance. Perhaps the most riveting moment on the album is the captivatingly serene, “Though We Are Here Now”. Featuring Julie Fowlis on vocals, she sings lyrics adapted from a poem taken from the Translations of the Gaelic Society of Inverness in traditional Scottish Gaelic. Jay Oliver provides acoustic piano and string arrangement throughout, while Tim Lorsch lends violin and Neal Merrick Blackwood plays Native American frame drum. Exuding an inexplicable depth in its simplicity, the middle of the piece slips into an ambient suspension with singing birds accompanied by Miriam’s ethereally layered vocals. At this pinnacle moment on the album, an aerial view of earth being restored to its original state of glory and wholeness is seemingly transferred, until gently reverting to the initial acoustic and vocal melody that ultimately culminates in a profoundly touching encounter. The familiar names of award-winning duo Al Jewer and Andy Mitran appear on the next piece, “The Inbound Trail”, with Al lending his signature Native American flute while Andy plays the kalimba and metallic tongue drums throughout. Closing out the album is the more subtly ethno-ambient title track, “Asha”, a piece gently guided by improvisational flute, piano, and Native American frame drum. Here the sun has set upon the earth and every tender creature, as a euphonious tribal chorus provided by Emily Tessmer, Miriam and Richard seemingly lull the world to sleep.

A simply magnificent display of trans-global textures and scintillating soundscapes, listening to Asha makes me want to get away and explore the world numerous times over. For the time being, this album has accompanied me on the road and around town ever since it arrived, always infusing my day with added radiance, joy and warmth. Although refreshingly unique unto its own, AO Music will appeal, especially, to fans of Adiemus, Deep Forest and Afro Celt Sound System, of which I’ve long been among. Stopping at nothing short of tantalizing, Asha is arguably one of the most rewarding world fusion albums to emerge in recent years!

From MainlyPiano


"Asha" is the fifth studio album by World Music artists AO Music and is their first release on Canadian label, Abbeywood Records. Upbeat, cinematic and joyously rhythmic, this is music created to inspire hope and unity. The album title is a Hindi word for hope, and the album serves as a reminder that Earth and humanity are the great unfinished stories full of hope and promise. Several guest artists contributed to the album, which also features children’s choirs from around the world. It is important to note that AO Music’s travels to record children in remote villages around the world inspired them to establish AO Foundation International (AOFI), a non-profit organization to help children orphaned by conflict and natural disaster. A portion of the proceeds from the sale of each album will go toward providing sustainable support for these children. Great music for a great cause! The album is a prayer for peace, tolerance and love, and most of the songs were composed and performed by Richard Gannaway and Miriam Stockley. The lyrics and translations for the non-English lyrics are included in the colorful nineteen-page booklet that accompanies the CD.

"Asha" begins with “Jabulani,” which is sung in Zulu as well as English and features vocals by Miriam Stockley, Sang Ding Duo Jie from China and the Dong Ba Xiang Children’s Choir, also from China. Vibrantly joyful with a swirling rhythm, it’s an exciting start! “Love Knows the Way” is a stirring folk ballad that includes vocals by Gannaway and Stockley and didgeridoo by Kimba Arem - a favorite. “Thi Na Ngen Jabulo” is sung in Zulu by Stockley with Gannaway on Irish bouzouki, synths, and samples. Lively and upbeat with a strong rhythm that will get your toes tapping, it sounds like a big group of singers rejoicing about the return of rain after a period of drought and famine. “Quixote” is another favorite. I really like the lyrics, but I also like the mix of banjo, Irish bouzouki (Gannaway), and Native American flute (Mark Holland). Stockley solos the vocals of “Gael Medley,” a showpiece for her clear, beautiful voice. “The Inbound Trail” features Al Jewer on Native American flute and Andy Mitran on metallic tongue drums and kalimba behind Gannaway’s and Stockley’s vocals. “Four Simple Joys” was adapted from the traditional Tibetan folk song, “Hao Shi Guang,” and Stockley is joined on vocals by Chinese singers Sang Ding Duo Jie and Bai Ma Yong Xi. The album closes with the title track, which was composed by Gannaway, Sandeep Chowta and Jay Oliver (one of the founders of AO Music). Very peaceful and shimmering, the lyrics for this song are vocalese: made-up phonetics that leave their meaning up to the listener.

"Asha" is sure to inspire, uplift, and bring a large helping of musical joy to listeners all over the world! Very highly recommended!

About AO Music

A pan-cultural world music outfit known for its exotic rhythms, cinematic cosmopolitan textures, and multi-layered -- and multi-lingual -- vocals, AO Music (most often referred to as simply AO) was founded in 1996 by St. Louis, Missouri natives Richard Gannaway and Jay Oliver. Gannaway, a multi-instrumentalist who had worked alongside jazz greats like Maynard Ferguson and Chick Corea, and Oliver, a composer/producer and co-founder of indie rockers Tiger & the Helix, had a shared interest in artists who drew inspiration from world music traditions like Peter Gabriel, Deep Forest, Bill Whelan, and Värttinä. Looking to perfect their own unique hybrid style, the duo released their debut album, Grow Wild, via Gannaway's Arcturian Gate label in 2000. The following year saw the group traveling to Southeast Asia, and while abroad, they were contacted by the Beijing Olympic Committee, which led to a job composing theme music for the 2008 Summer Olympics. Bollywood film composer Sandeep Chowta joined the group as a contributing producer in 2004, and two years later renowned South African-born British singer and composer Miriam Stockley joined the fold. In 2009 the group released their long-awaited sophomore LP, Twirl, followed in 2011 by the acclaimed ...And Love Rages On!. Hokulea arrived in 2014, and in 2017 they released their ambitious fifth studio long player, Asha. In addition to their musical work, AO operates the AO Foundation International, a non-profit organization for children orphaned by natural disaster and conflict. ~ James Christopher Monger


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