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Audition

P.O.S

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Album Review

Punk rocker/rapper P.O.S. got the attention of indie hip-hop label Rhymesayers with his 2004 self-released Ipecac Neat, and so his next album and Rhymesayers debut, Audition, acts as not only a way to convince the label he belongs on their roster, but also as a greater introduction to the world outside the Twin Cities. His rock influences are abundantly clear, making themselves known in the heavy electric guitars and bass that are the background for much of the record, adding a nice element to the overall sound, a rich, full, yet somewhat messy beat that focuses as much on melody and chord changes as it does on rhythm, but there are plenty of hip-hop elements — scratching, a hollow drum machine, synthesizers — too. It's a very well-produced album, exciting and musical and intense. P.O.S.'s intensity is, in fact, the most striking aspect of Audition, both in his delivery, which sounds disarmingly like Eminem (via "Lose Yourself," "Stan," etc) and his often violent lyrics ("Paul Kersey to Jack Kimball" is about vendettas and "The Kill in Me" contains the creepy, half-sung chorus of "You can't cut surgically with a shaky hand/And honestly my nerves are shot again/Let me treat you like a doll and snap your neck in my hands"). P.O.S. has a really good, fast flow, with interesting, provoking rhymes that don't come across as erudite or condescending ("Sometimes I feel like a bastard surrounded by fathers" he says in "Bush League Pysche-Out Stuff," one of the best tracks on the record, with a great spy movie-themed bassline acting as pretty much the only element in the beat), and the songs where he sticks to solely to rapping turn out a lot better than the ones in which he includes the kind of angry alternative rock singing found on Linkin Park albums, which just makes him sound like he's trying too hard to be that rapper for punk kids. But P.O.S.'s appeal should be greater, because he's a talented, introspective, angry MC with a lot to say and a lot of ways to say it, and Audition definitely proves this to anyone who may not have already known.

Customer Reviews

Goddam i love Minneapolis!

You don't even need to like rap to respect P.O.S. Dude says it like he sees it and it smashes. No other like him! BUY IT!

P.O.S. is the best

P.O.S. is an orginal sound that everyone can enjoy. From Half-Cocked Concepts to Teddy Bear and a Tazer and every other track on this record (exepct Saftey in Speed) this album is awesome. lazerbeak is a friggin genius on the beats as well. P.O.S., the Punk Rocker/Rapper/hardcore ball of musical talent is a force to be reckoned with DOOMTREE!

wow, this guy is soooo good

this guy is amazing. his beats are sick, his lyrics meaningful, unlike the "popular" stuff, his songs just straight up good. you gotta buy some of these songs. bleeding hearts club (Mpls version) might be one of the best songs out. check it out.

Biography

Born: August 18, 1981

Genre: Hip-Hop/Rap

Years Active: '00s, '10s

A self-taught bassist, guitarist, keyboardist, and drummer, P.O.S. (which stands for a variety of things, including Product of Society, Piece of Sh*t, and Promise of Skill) spent most of his childhood influenced by the energy of punk, drumming for Cadillac Blindside and singing and playing guitar for Building Better Bombs. At 14, however, he was introduced to hip-hop via Company Flow and Oddjobs, and began rapping for fun, performing at small venues around Minneapolis. In 2004 P.O.S. put out his...
Full Bio
Audition, P.O.S
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