8 Songs, 52 Minutes

EDITORS’ NOTES

Ryan Keberle’s Azul Infinito is well named: The dazzling blue notes of Mike Rodriguez's trumpet seem to take flight and fan out when mixed with the breezy croon of Chile's Camila Meza. Framed by South American rhythms, her poised vocals add pathos and grace to tracks like “La Ley Primera,” while Keberle’s fluid trombone solos on "Quintessence (for Ivan Lins)" and “Mr. Azul (for Samuel Torres)" bubble above Rodriguez’s bright and busy tone-work. That synergy rings loudest in the spritely bossa nova of “Madalena,” where voice and horns form a lively yet uncluttered dialogue.

EDITORS’ NOTES

Ryan Keberle’s Azul Infinito is well named: The dazzling blue notes of Mike Rodriguez's trumpet seem to take flight and fan out when mixed with the breezy croon of Chile's Camila Meza. Framed by South American rhythms, her poised vocals add pathos and grace to tracks like “La Ley Primera,” while Keberle’s fluid trombone solos on "Quintessence (for Ivan Lins)" and “Mr. Azul (for Samuel Torres)" bubble above Rodriguez’s bright and busy tone-work. That synergy rings loudest in the spritely bossa nova of “Madalena,” where voice and horns form a lively yet uncluttered dialogue.

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5:50 $1.29
5:57 $1.29
5:30 $1.29
7:43 $1.29
7:04 $1.29
6:14 $1.29
9:15 $1.29
5:20 $1.29

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