15 Songs, 54 Minutes

EDITORS’ NOTES

This collection (spanning 1979 to 1986) shows how The Pretenders grew as a band within a short span of time and how bandleader Chrissie Hynde, even after the overdose deaths of two band members, drew wisdom from experience. And time itself has been more than kind to The Pretenders; their cover of “Stop Your Sobbing” and the tender power of both “Kid” and “Talk of the Town” are as transformative as ever. The shuffling confessional “Don’t Get Me Wrong,” the adult-contemporary swing of “Hymn to Her,” and the self-effacement of “My Baby” all translate into beautiful telling tunes of young adulthood that you can sing to.

EDITORS’ NOTES

This collection (spanning 1979 to 1986) shows how The Pretenders grew as a band within a short span of time and how bandleader Chrissie Hynde, even after the overdose deaths of two band members, drew wisdom from experience. And time itself has been more than kind to The Pretenders; their cover of “Stop Your Sobbing” and the tender power of both “Kid” and “Talk of the Town” are as transformative as ever. The shuffling confessional “Don’t Get Me Wrong,” the adult-contemporary swing of “Hymn to Her,” and the self-effacement of “My Baby” all translate into beautiful telling tunes of young adulthood that you can sing to.

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Ratings and Reviews

4.5 out of 5
92 Ratings

92 Ratings

Humble Know-it-all ,

Appreciate the greatness!

Suffice it to say that rather than picking apart the history of the band, I feel this band is incredibly important and somewhat under appreciated. Her melodies haunt my dreams and waking hours. And that vibrato makes me all emotional. Hell, I tear up when I hear Karen O of the Yeah Yeah Yeahs singing like her! This collection is a great place to start but I think the band's whole discography is rock solid.

Deadwood Metropolis ,

The Pretenders 80's classics

This is a great disc. Some of the best late 70's and 80's Progressive/pop/rock came from Chrissie H. and Company. Chrissie carries every song whether rocking with her sultry voice or softly serenading us. Her unique sound was a trademark along with the jangling guitar sound and trademark beats that plastered the FM charts for most of the 80's. Almost everything here is good. I would have swapped out one of the slow tunes for My City was Gone, though each of the ballads are good, and spotlight her voice.

Kid, Day After Day, Message of Love, Back on the Chain Gang, and Middle of the Road are Favorites.
Brass in Pocket was one of their biggest hits and Don't get me Wrong was a catchy later 80's hit. All of it is good...

Kevin C 71 ,

Great album

I've had it since around 1987 and it is a classic. Except maybe for the UB40 duet. But everything else, classic.

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