Whatever and Ever Amen (Remastered Edition) by Ben Folds Five on Apple Music

19 Songs

EDITORS’ NOTES

Many years from now, Ben Folds Five’s Whatever and Ever Amen will be studied as a gauge of inter-personal dysfunction during the 1990s. Beyond its scientific value, the trio’s second album has considerable merit as a funny, frolicsome, and surprisingly touching song collection. Folds reinforces his reputation as an incurable wise-guy on such biting tunes as “One Angry Dwarf and 200 Solemn Faces,” “Song for the Dumped,” and “Battle of Who Could Care Less.” But there’s more here than cheeky lyrics set to careening keyboard melodies. There’s real angst behind the darkly droll tone of “Fair” and “Selfless, Cold and Composed.” The radio hit “Brick” is an exquisite slice of sorrow, made all the more poignant by its buoyant chorus. Musically, BFF manages to disguise zippy Broadway-style numbers (“Steven’s Last Night in Town”) and swirling jazz waltzes (“Smoke”) as indie-pop tunes, thanks to lean ‘n’ mean arrangements and an overall air of slacker nonchalance. When he wants to, Folds can apply himself with high seriousness to confessional ballads like “Missing the War” and “Evaporated.” Mostly, though, he uses Whatever and Ever Amen to dissect the quirks of the human heart with a surgeon’s skill and a satirist’s relish.

EDITORS’ NOTES

Many years from now, Ben Folds Five’s Whatever and Ever Amen will be studied as a gauge of inter-personal dysfunction during the 1990s. Beyond its scientific value, the trio’s second album has considerable merit as a funny, frolicsome, and surprisingly touching song collection. Folds reinforces his reputation as an incurable wise-guy on such biting tunes as “One Angry Dwarf and 200 Solemn Faces,” “Song for the Dumped,” and “Battle of Who Could Care Less.” But there’s more here than cheeky lyrics set to careening keyboard melodies. There’s real angst behind the darkly droll tone of “Fair” and “Selfless, Cold and Composed.” The radio hit “Brick” is an exquisite slice of sorrow, made all the more poignant by its buoyant chorus. Musically, BFF manages to disguise zippy Broadway-style numbers (“Steven’s Last Night in Town”) and swirling jazz waltzes (“Smoke”) as indie-pop tunes, thanks to lean ‘n’ mean arrangements and an overall air of slacker nonchalance. When he wants to, Folds can apply himself with high seriousness to confessional ballads like “Missing the War” and “Evaporated.” Mostly, though, he uses Whatever and Ever Amen to dissect the quirks of the human heart with a surgeon’s skill and a satirist’s relish.

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5:55
4:31
3:51
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1:38
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3:40
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5:03

About Ben Folds Five

Led by the pop-minded prowess of their namesake frontman, Ben Folds Five dispelled any misgivings about a band's ability to rock without guitars. Calling themselves "punk rock for sissies," the Chapel Hill natives were often grouped with the nerd rock movement of the mid-'90s, although their debt to jazz music -- not to mention Ben Folds' acerbic spin on the classic pianist/songwriter tradition -- ensured the trio a long-lasting legacy after their split in October 2000. The band also provided a launching pad for Folds himself, who continued releasing piano-based pop songs well into the subsequent years.

The group's story is, in many ways, the story of its de facto leader and namesake, Ben Folds. The son of a carpenter, Folds was born in Winston-Salem, North Carolina. Upon graduating high school in the mid-'80s, the young songwriter drifted from place to place in hopes of discovering a good scene to sow his brainchild. Throughout a decade in which hair bands ruled the airwaves, Folds spent frustrating stints in Miami, Chapel Hill, New York, and Europe before landing in Nashville in the early '90s. In spite the fact that Nashville was a songwriter's mecca, or because of it, Folds found the city's approach to songwriting frustrating and exclusive. While producers and managers wanted obvious hits, Folds wanted, instead, to follow his own muse, and a notoriously eccentric one at that.

When Folds finally drifted back to Chapel Hill in 1994 he formed a piano-based trio with bassist Robert Sledge and drummer Darren Jessee, and within weeks, the band cut an indie single that attracted the attention of Caroline. Their 1995 self-titled debut sold enough copies to warrant the kind of major-label bidding war that young bands fantasize about. Eventually signing with Sony, the group released Whatever and Ever Amen and continued the strenuous touring schedule that the band had become known for. Releasing the singles "Battle of Who Could Care Less" and "Brick" into a climate awash with soundalike guitar bands, Ben Folds Five and their witty, offbeat, piano-based music were a welcome difference and the group became critical and commercial darlings.

Inevitable comparisons to piano composers of yore such as Todd Rundgren, Billy Joel, and Joe Jackson followed, but the group fought hard to maintain their individuality. Over the next two years, Ben Folds Five kept their name in the press by releasing songs on soundtracks, as well as an album of outtakes, B-sides, and early live appearances called Naked Baby Photos. In early 1999 they released their third full-length album, The Unauthorized Biography of Reinhold Messner. In November 2000, Ben Folds Five abruptly announced their split, shocking fans and the media. However, the trio quickly announced that they would be pursuing individual projects. Bassist Robert Sledge was going to put his own group together while balancing his tour efforts with former Squirrel Nut Zippers multi-instrumentalist Tom Maxwell's group the Minor Drag. Drummer Darren Jessee also went after similar opportunities, playing club shows around New York City. Ben Folds didn't stop either, for the singer/pianist contributed "Lonely Christmas Eve" for the Grinch soundtrack, as well as the cut called "Wandering" for the 2000 independent comedy 100 Girls, before releasing a string of successful solo albums. The group re-formed in 2011, contributing a new track to Folds' 18-track The Best Imitation of Myself: A Retrospective. They made it official the following year with the release of The Sound of the Life of the Mind, the band's fourth studio album, and first since 1999. ~ Steve Kurutz

  • ORIGIN
    Winston-Salem, NC
  • BORN
    Sep 12, 1966

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