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Bayou Cadillac

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Album Review

Those who define everything in strict, unflexible color terms consider all black South Louisiana sounds zydeco and all white sounds from that region Cajun. However, Beausoleil, an obviously white group, open this release with a signature zydeco tune, Clarence Garlow's "Bon Temps Roulet." Quite simply, they're unaware of this "rule," violating it repeatedly. They included entertaining remakes of "Bo Diddley" and "Iko Iko" in the title medley and also covered Big Joe Williams' "Baby Don't Go," doing them just as effectively as "Couchon de Lait" and "Flammes D'Enfer." While they sometimes ventured a bit afield, as with the concluding "Island Zydeco," much of Beausoleil's fare artfully crossed genres and successfully combined divergent influences and material. This disc should satisfy audiences regardless of idiomatic preference.

Customer Reviews

Hard not to tap the feet... Michael and friends load us in their Cadillac and take us on a tour of Louisiana...this is probably my favorite Beausoleil album, partly because of its infectiousnes, partly because of its wide range of influences. Wish I could fiddle like that!


Formed: New Orleans, LA

Genre: Singer/Songwriter

Years Active: '70s, '80s, '90s, '00s, '10s

The formation of BeauSoleil, one of the best known and most highly respected cajun bands in the world, is due to fiddler Michael Doucet's desire to keep the unique southern Louisiana culture and music from extinction. But while BeauSoleil originated to help preserve his cajun musical heritage, over the years it has also been known for its innovation. They are continually adding spice from other musical genres including jazz and Caribbean. In this way, BeauSoleil keeps the music vital and contemporary....
Full Bio
Bayou Cadillac, BeauSoleil
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